Tags / comedy

"comedy"

129 BuzzVerdicts across PC Games (6), Movies (34), TV Shows (77), Books (10), Mobile Games (1), Board Games (1)

Portal 2

4.8

2011 · Puzzle / First-Person · PC / Steam

Portal 2 is Valve at the peak of its creative powers, delivering a puzzle game that's also one of the funniest and best-written games ever made. The single-player campaign is a masterclass in pacing and puzzle design, the co-op campaign is one of the best cooperative experiences in gaming, and the Steam Workshop ensures you'll never run out of new chambers to solve. Puzzles occasionally prioritize spectacle over challenge, and the comedy won't land for everyone, but those are minor complaints against a game that does nearly everything right. Over a decade later, nothing has replaced it.

Singin' in the Rain

4.7

1952 · Gene Kelly, Stanley Donen · 103 min · Musical / Comedy

Singin' in the Rain is the rare film that earns every bit of its towering reputation. Gene Kelly, Donald O'Connor, and Debbie Reynolds are magnetic together, the musical numbers hit with a joy that feels unstoppable, and the Hollywood satire gives it a brain to match its boundless energy. One extended ballet sequence tests the pacing, and the plot won't win any awards for complexity. None of that matters much when a film is this relentlessly entertaining. It set the standard for what a movie musical could be, and nothing has knocked it from that spot since.

Some Like It Hot

4.7

1959 · Billy Wilder · 121 min · Comedy / Crime

Billy Wilder made a film about two musicians hiding from the mob in drag, cast it with three of the most charismatic performers of the era, and let the comedy build until its perfect final line. Jack Lemmon and Tony Curtis commit fully to the absurdity, Marilyn Monroe brings a warmth and comic instinct that elevates every scene she's in, and the screenplay by Wilder and I.A.L. Diamond fires on all cylinders from the opening massacre to that legendary closing exchange. It runs a touch long and the premise stretches thin in spots, but those are small marks against a comedy that's been making audiences laugh for more than six decades without losing a step.

Back to the Future

4.7

1985 · Robert Zemeckis · 116 min · Sci-Fi / Comedy

Forty years on, Back to the Future remains one of the most purely entertaining movies ever made. Its screenplay is a masterclass in setup and payoff, its cast is perfectly chosen, and its blend of comedy, sci-fi, and family stakes hits every note it aims for. A handful of dated moments and a few logical gaps in the time travel mechanics are the only real marks against it, and neither one has slowed its momentum. This is the kind of movie that turns casual viewers into lifelong fans the first time through and somehow gets better on every rewatch.

Everything Everywhere All at Once

4.7

2022 · Daniel Kwan, Daniel Scheinert · 139 min · Sci-Fi / Comedy

Everything Everywhere All at Once shouldn't work. A multiverse action comedy about a laundromat owner doing her taxes has no business being one of the most emotionally devastating films in recent memory, but the Daniels pulled it off with a tiny budget, a fearless cast, and more creative ambition than most studios pack into an entire slate. The pacing stumbles in the final stretch and the sensory overload will lose some viewers along the way. Those are real flaws. They just happen to exist inside a film that found something true about families, about the weight of unlived lives, and about choosing kindness when the universe gives you every reason not to. Seven Academy Awards later, the consensus is pretty clear on where this one landed.

Inside Out

4.7

2015 · Pete Docter, Ronnie del Carmen · 95 min · Animation / Comedy

Inside Out is Pixar firing on all cylinders, taking a high-concept premise about the emotions inside a child's head and turning it into something that hits harder than most live-action dramas. The world-building is endlessly inventive, the voice cast is perfectly matched to their roles, and the central message about the necessity of sadness lands with a force that catches most viewers off guard. A few criticisms stick, mainly that Riley herself feels underwritten and that the adventure plot follows a familiar path, but those feel like small complaints against a film that won the Oscar for Best Animated Feature and left entire theater audiences in tears. It's one of those rare animated films that earns its emotional payoff honestly.

Toy Story

4.7

1995 · John Lasseter · 81 min · Animation / Comedy

Toy Story took a massive creative gamble and won so completely that it reshaped an entire industry overnight. The first fully computer-animated feature film still works thirty years later because Pixar built it on a foundation of sharp writing, perfect voice casting, and a story about friendship and jealousy that connects on a gut level. The animation has aged and the plot is simpler than what the studio would go on to produce, but 81 minutes of this much charm, humor, and heart is hard to argue with. It launched a franchise, launched a studio, and proved that animated films could be just as smart and emotionally honest as anything made for adults.

The Princess Bride

4.6

1987 · Rob Reiner · 98 min · Fantasy / Adventure / Comedy

The Princess Bride is that rare film where the satire and the sincerity coexist without canceling each other out. It mocks fairy tale conventions while delivering a fairy tale that actually works, carried by a cast firing on every cylinder and a script that never wastes a line. The framing device occasionally interrupts momentum, and the production values show their age, but nothing about this movie has lost a step in nearly four decades. It was made for everyone, and it still plays that way.

Bocchi the Rock!

4.5

2022 · 1 Season · Tokyo MX · Comedy / Music / Slice of Life

Bocchi the Rock! takes the well-worn premise of a socially anxious teenager joining a band and turns it into one of the most visually inventive and emotionally resonant anime comedies in recent memory. CloverWorks delivered something special with its wild animation experiments, and the show's ability to make social anxiety both hilarious and deeply relatable struck a chord with an enormous audience. It's only 12 episodes and occasionally leans too hard into repeated gags, but those are small complaints against a show this creative and this warm.

Mob Psycho 100

4.5

2016 · 3 Seasons · Crunchyroll · Animation / Action / Comedy / Supernatural

Mob Psycho 100 is one of the rare anime that gets better with every season and sticks the landing when it matters most. It wraps profound messages about self-acceptance and emotional growth inside some of the most inventive animation the medium has produced, and it does it without ever feeling like it's lecturing you. The humor is sharp, the action is spectacular, and the heart underneath it all is completely genuine. Three seasons wasn't many, but the show used every one of those 37 episodes to say exactly what it wanted to say.

The Venture Bros.

4.5

2003 · 7 Seasons · Adult Swim · Animated Comedy / Action-Adventure

The Venture Bros. spent seven seasons and a wrap-up film building one of the richest, funniest, and most emotionally rewarding universes in adult animation. Its character development puts most prestige dramas to shame, its comedy remains endlessly quotable, and its willingness to let characters truly change gave it a depth that no other superhero parody has matched. The long hiatuses between seasons tested patience, and the show's density makes it impenetrable for casual viewers, but for anyone willing to commit, this is one of the finest animated series ever produced.

I Love Lucy

4.5

1951 · 6 Seasons · CBS · Sitcom / Comedy

I Love Lucy ran for six seasons on CBS and produced 180 episodes that essentially invented the modern sitcom. Lucille Ball's fearless physical comedy, the chemistry between all four leads, and writing clever enough to make a simple domestic formula endlessly entertaining turned the show into a cultural landmark. Some of the marital dynamics and humor reflect 1950s attitudes that modern audiences will notice, and the episode structure rarely deviates from its established pattern. None of that diminishes a show that remains laugh-out-loud funny more than seventy years after it first aired. Few comedies have ever matched its combination of craft, charm, and lasting influence.

M*A*S*H

4.5

1972 · 11 Seasons · CBS · Comedy / Drama

M*A*S*H remains one of television's towering achievements, a comedy set in a Korean War surgical unit that used humor as a survival mechanism while building toward emotional moments that still devastate fifty years later. The show's evolution from broad military comedy to sophisticated dramedy tracked television's own maturation, and its finale remains the most-watched broadcast in American television history. Alan Alda's Hawkeye Pierce is one of the medium's great characters, and the show's anti-war message, delivered through laughter and tears in equal measure, has never been more relevant.

Groundhog Day

4.5

1993 · Harold Ramis · 101 min · Comedy / Fantasy / Drama

Groundhog Day uses the simplest possible premise to explore the biggest possible questions, and it does it while being consistently, effortlessly funny. Bill Murray's transformation from smug weatherman to genuine human being is one of the great character arcs in American comedy, and the film's refusal to explain its own mechanics turns out to be one of its smartest decisions. The romance is underwritten and some of the small-town humor leans on easy stereotypes, but the core idea is so perfectly executed that it has become a permanent part of how people think about repetition, change, and what it means to live a day well.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

4.5

1964 · Stanley Kubrick · 94 min · Political Satire / Black Comedy

Dr. Strangelove remains one of the sharpest satires ever put on screen. Stanley Kubrick took the most terrifying scenario imaginable and turned it into a comedy that somehow makes the danger feel more real, not less. Peter Sellers doing three distinct roles without a single weak link is a performance feat that still hasn't been matched. The humor won't connect for everyone, and younger audiences may need to meet the film's bone-dry tone on its own terms. But for those who click with it, this is 94 minutes of controlled absurdity that has only become more relevant with time.

The Hitchhiker's Guide to the Galaxy

4.5

1979 · Douglas Adams · 224 pages · Science Fiction Comedy

Douglas Adams wrote what might be the funniest science fiction novel ever published, and more than four decades later nobody has seriously challenged that claim. It's short, wildly quotable, and packed with ideas that disguise themselves as jokes until you realize they're actually saying something. Readers who don't connect with the humor will find almost nothing here to hold onto, and that's a legitimate problem for a certain percentage of people who pick it up. For everyone else, this is the kind of book that rewires how you think about absurdity, meaning, and the universe. The answer might be 42, but the question is what makes this book stick with people for the rest of their lives.

BoJack Horseman

4.5

2014 · 6 Seasons · Netflix · Animated Tragicomedy

BoJack Horseman is one of the most emotionally ambitious animated series ever produced, a show that used talking animals and Hollywood satire as cover for a deeply serious exploration of depression, addiction, and the limits of self-awareness. Its six seasons built something that very few comedies attempt and even fewer pull off: a long-form character study where the laughs and the devastation feel equally earned. The first season requires patience, and the subject matter can be hard to sit with. But the show's refusal to offer easy answers or redemptive arcs for its deeply flawed characters is exactly what makes it resonate so powerfully with the people who stick with it.

Curb Your Enthusiasm

4.5

2000 · 12 Seasons · HBO · Comedy

Curb Your Enthusiasm spent 24 years proving that a show built almost entirely on improvisation and social discomfort could be one of the funniest things on television. Larry David's fictional version of himself became an iconic comedic creation, a man whose refusal to follow unspoken social rules exposed just how fragile those rules really are. The improvisational format kept the show feeling spontaneous in ways that scripted comedies rarely achieve, and the best episodes are intricately plotted machines where every thread collides in the final minutes. Some later seasons recycled familiar patterns to diminishing returns, and the show's polarizing nature means it was never going to work for everyone. But twelve seasons on HBO, ending on its own terms with a finale that honored everything that came before, is a run that very few comedies can match.

Fleabag

4.5

2016 · 2 Seasons · BBC Three / Amazon Prime Video · Comedy-Drama

Twelve episodes. That's all Phoebe Waller-Bridge needed to build one of the most celebrated comedies of the past decade. Fleabag is sharp, filthy, surprisingly devastating, and smart enough to know exactly when to end. Its humor won't land for everyone, and its world is narrow in ways that matter. But the writing is so precise and the performances so committed that the whole thing feels like a magic trick, a show that makes you laugh until it quietly breaks your heart. It walked away at the peak, which is the hardest thing any show can do and the reason people are still talking about it.

Portal

4.5

2007 · Puzzle / First-Person · PC / Steam

Portal is proof that a great idea, executed with discipline, doesn't need length to leave a permanent mark. Three hours of perfectly paced puzzle design, anchored by one of gaming's most iconic characters, and wrapped in a tone that nobody had quite seen before. Its brevity is simultaneously its greatest asset and its only real limitation. Valve built something that still gets recommended nearly two decades after release, and there's a reason for that: nothing about it has aged.

Seinfeld

4.5

1989 · 9 Seasons · NBC · Sitcom / Comedy

Seinfeld ran for nine seasons on NBC and produced 180 episodes that redefined what a sitcom could be. Four selfish, petty, hilarious New Yorkers turned the smallest moments of daily life into comedy gold, backed by writing sharp enough to create an entirely new comedic vocabulary. A few episodes have aged poorly, the last two seasons lost a step without one of the show's co-creators, and the finale remains one of television's most polarizing hours. All of that amounts to minor turbulence across one of the most consistently funny runs in TV history. The show about nothing gave television everything.

The Apartment

4.5

1960 · Billy Wilder · 125 min · Comedy, Drama, Romance

The Apartment is Billy Wilder's sharpest balancing act, a film that manages to be wickedly funny about corporate sleaze while also being deeply moving about loneliness and self-respect. Jack Lemmon and Shirley MacLaine give two of the finest performances of their careers, and Wilder's screenplay with I.A.L. Diamond remains one of Hollywood's best. The tonal shifts will challenge some viewers, but the film's willingness to take its characters seriously, even when the material is comic, is exactly what elevates it above standard romantic comedy.

The Office (US)

4.5

2005 · 9 Seasons · NBC · Comedy / Mockumentary

Nine seasons, 201 episodes, and an absurd amount of quotable moments later, The Office remains one of the most rewatched comedies ever made, and that reputation is mostly deserved. Its middle stretch is among the best sitcom television ever produced, carried by Steve Carell's layered performance and an ensemble cast that made a fictional paper company feel like a place you'd actually want to visit on your lunch break. The final two seasons drag it down, and the early episodes take a few tries to find the right tone. Taken as a whole, though, this is a show that redefined what a television comedy could look like and still works as the ultimate comfort rewatch more than a decade after it wrapped.

The Stanley Parable: Ultra Deluxe

4.5

2022 · Adventure / Comedy · PC / Steam

The Stanley Parable: Ultra Deluxe takes one of the smartest games ever made about games and somehow makes it smarter. The narrator remains one of the funniest characters in the medium, the new content doubles down on the meta-commentary without losing the original's sharpness, and the sheer number of paths and endings makes repeated playthroughs consistently surprising. It won't land for everyone, and people who bounced off the original won't find a different game here. But for anyone who appreciates clever writing and games that interrogate what games even are, this is essential.

Ratatouille

4.5

2007 · Brad Bird · 111 min · Animation / Comedy

Ratatouille is Pixar operating at peak confidence, telling a story about a rat who wants to cook and somehow making it one of the most thoughtful animated films about creativity ever produced. The animation is stunning, Paris has never looked this good in any medium, and Anton Ego's climactic scene remains one of the most powerful moments in Pixar's entire catalog. Linguini is a bit of a blank slate and the romance never fully lands, but everything surrounding those weak spots is so assured and so smart that they barely register. It won the Academy Award for Best Animated Feature and earned over $620 million worldwide, and close to two decades later, it still holds up beautifully.

The Grand Budapest Hotel

4.5

2014 · Wes Anderson · 99 min · Comedy / Drama

The Grand Budapest Hotel is Wes Anderson with every tool in his kit working in perfect sync, delivering a film that looks like nothing else and somehow manages to be both his funniest and most emotionally resonant work. Ralph Fiennes turns in a performance so precisely calibrated between comedy and pathos that it redefines what you thought he was capable of. The visual craft alone earned four Academy Awards, but what sticks with you is the melancholy underneath all that color and symmetry. Some viewers will find Anderson's aesthetic too controlled, too precious, too much of a dollhouse to feel lived in. They're not entirely wrong, but they're missing the point. This is a film about how beautiful things disappear, and it proves that argument by being one.

The Truman Show

4.5

1998 · Peter Weir · 103 min · Drama / Comedy

The Truman Show took a high-concept premise that could have collapsed into gimmickry and turned it into something that still sparks conversation nearly three decades later. Jim Carrey found the performance of his career, Peter Weir found exactly the right tone, and Andrew Niccol's screenplay asked questions about privacy, authenticity, and manufactured reality that the world wasn't even ready to fully appreciate yet. The plot follows a predictable arc and the premise asks you to suspend some disbelief, but neither of those things stops the film from landing with real emotional force. It got better with age, which is about the highest compliment you can pay a movie built on ideas.

Brazil

4.3

1985 · Terry Gilliam · 132 min · Sci-Fi / Comedy

Terry Gilliam built a nightmare out of paperwork and plumbing, and the result is one of the most ferociously imaginative satires ever committed to film. The production design alone would justify its reputation, but the film goes further, using its labyrinthine world to ask real questions about conformity, escape, and what happens to dreamers caught inside systems designed to crush them. The pacing stumbles, the tone will alienate viewers who need a story to hold their hand, and the ending refuses to offer comfort. Those are features, not bugs. Four decades later, the bureaucratic absurdity on display hasn't aged a day, which says more about the world than it does about the movie.

The Rehearsal

4.3

2022 · 2 Seasons · HBO · Docu-Comedy / Reality Experiment

The Rehearsal is unlike anything else on television, a show that uses elaborate simulations and meticulous planning to explore whether human connection can be engineered, and in the process reveals more about loneliness, control, and empathy than most conventional dramas manage. Nathan Fielder built something truly innovative here, blending comedy and philosophy in ways that make you laugh and then make you deeply uncomfortable about having laughed. Legitimate ethical concerns about its treatment of participants are impossible to dismiss, and the show's ambiguity about its own intentions can feel like evasion rather than art. But as a piece of television that expands the boundaries of what the medium can do, it's extraordinary.

Phineas and Ferb

4.3

2007 · 4 Seasons · Disney Channel · Animation, Comedy, Musical

Phineas and Ferb turned a simple summer vacation premise into one of the smartest and most consistently entertaining animated comedies of its generation. Its songs are absurdly catchy, its humor works on multiple levels, and the Perry and Doofenshmirtz dynamic is one of the best comedic pairings in animation history. The formula gets repetitive if you binge too many episodes back to back, and the show never really evolves beyond its established structure. But within that structure, it operates at a level of craft and wit that most children's shows can only dream of reaching.

I Think You Should Leave with Tim Robinson

4.3

2019 · 3 Seasons · Netflix · Sketch Comedy

I Think You Should Leave carved out a unique space in comedy by perfecting a formula nobody else could pull off: take a recognizable social situation, add one person who refuses to acknowledge reality, and escalate until the whole thing collapses into surreal chaos. Tim Robinson's commitment to his characters, the show's razor-sharp brevity, and its gift for producing endlessly quotable moments made it a cultural phenomenon that far outpaced its modest runtime. Season three shows signs of formula fatigue, and the hit-to-miss ratio is inherently uneven in sketch comedy, but at its best this is the funniest show of its era.

Hacks

4.3

2021 · 5 Seasons · Max · Comedy-Drama

Hacks built its reputation on two things: Jean Smart's towering performance as Deborah Vance and a central relationship so combustible it could power five seasons of comedy and heartbreak in equal measure. The writing is consistently sharp, the ensemble cast punches well above its weight, and the show handles themes of ageism, ambition, and creative legacy with a confidence that most comedies never attempt. A recurring cycle of conflict between its leads tests patience in later seasons, and the portrayal of stand-up itself leans more toward Hollywood satire than anything resembling the real comedy world. But at its best, Hacks is one of the defining comedies of the 2020s, funny and cutting and unexpectedly moving in ways that earned every one of its Emmys.

PEN15

4.3

2019 · 2 Seasons · Hulu · Comedy / Drama

Two women in their thirties play themselves at thirteen, surrounded by actual teenagers, and somehow it becomes one of the most honest depictions of middle school ever put on screen. The concept sounds like a gimmick, but PEN15 earns every minute of its two-season run through fearless writing and performances that capture the full spectrum of adolescent humiliation, joy, and confusion. Its cringe factor will be too much for some viewers, and the show's willingness to go dark in its second season won't land for everyone. For those who can meet it where it lives, this is a show that understands something true about growing up and the friendships that get you through it.

Cheers

4.3

1982 · 11 Seasons · NBC · Comedy

Cheers is one of the foundational texts of the American sitcom, building an entire show around the regulars of a Boston bar with writing so sharp and performances so lived-in that the location feels like a place you've actually been. The Sam-Diane dynamic defined the will-they/won't-they template for a generation, Ted Danson's Sam Malone is one of the great sitcom protagonists, and the ensemble grew richer with every season. The show spans two distinct eras (the Diane years and the Rebecca years) of varying quality, and some episodes haven't aged as gracefully as the show's reputation suggests.

Frasier

4.3

1993 · 11 Seasons · NBC · Comedy

Frasier is the rare spinoff that surpassed its parent show, turning a supporting character from Cheers into the lead of a sophisticated comedy of manners built on farce, wit, and the relationship between two brothers whose pretensions mask genuine vulnerability. Kelsey Grammer and David Hyde Pierce are one of television's great double acts, the farce episodes are among the finest in sitcom history, and the show maintained its quality across eleven seasons with a consistency that few comedies achieve. The sophistication occasionally tips into repetitive snobbery, and the romantic subplots are the show's weakest recurring element.

Guardians of the Galaxy

4.3

2014 · James Gunn · 121 min · Action / Sci-Fi / Comedy

Guardians of the Galaxy proved that the MCU could succeed with characters nobody outside comics had heard of, through James Gunn's singular blend of 70s pop music, irreverent humor, and genuine emotional sincerity. The ensemble of a thief, an assassin, a maniac, a tree, and a raccoon shouldn't work, and the fact that it works this well is Gunn's defining achievement. The Awesome Mix soundtrack became a cultural phenomenon, the humor lands without undermining the stakes, and the found-family theme gives the spectacle emotional weight that pure action couldn't achieve.

Beware of Chicken

4.3

2022 · CasualFarmer (Jeremy Doe) · 480 pages · Fantasy / Comedy

Beware of Chicken takes the cultivation fantasy genre and turns it on its head by following a transmigrated soul who rejects the endless power grind in favor of farming, friendship, and raising sentient animals who are hilariously overpowered. The humor is warm rather than sarcastic, the characters are genuinely lovable, and the decision to prioritize community over combat creates something refreshingly different in a genre dominated by power fantasy. The pacing can feel leisurely for readers expecting traditional progression, but the charm is irresistible.

Psych

4.3

2006 · 8 Seasons · USA Network · Comedy, Crime, Mystery

Psych is one of the most purely enjoyable shows of its era, a comedy mystery that never takes itself too seriously and benefits enormously from the comedic chemistry between James Roday Rodriguez and Dule Hill. The cases are entertaining puzzles, the pop culture references are relentless, and the show's commitment to fun over prestige makes it endlessly rewatchable. It occasionally loses focus during weaker stretches in the middle seasons, but the character relationships and comedic energy carry it through eight seasons of television that feels like hanging out with your funniest friends.

Good Omens

4.3

1990 · Terry Pratchett & Neil Gaiman · 400 pages · Fantasy

Terry Pratchett and Neil Gaiman's 1990 collaboration about an angel and a demon trying to prevent the apocalypse is one of the funniest novels in fantasy. The central friendship between Aziraphale and Crowley carries warmth and wit in equal measure, and the satire of religion, prophecy, and human nature lands without becoming mean-spirited. The large cast leads to some subplots that feel less essential, and the novel's breezy tone occasionally prevents it from landing its more serious moments. But as a comic novel about the end of the world that's really about how friendship and free will matter more than destiny, Good Omens is a joy from cover to cover.

Amelie

4.3

2001 · Jean-Pierre Jeunet · 122 min · Romantic Comedy

Amelie is pure cinematic joy wrapped in accordion music and golden-green light. Audrey Tautou's performance anchors a film that could easily float away on its own whimsy, and Jean-Pierre Jeunet's visual imagination produces something that looks and feels like nothing else. The love story is thin and the version of Paris on display is more fairy tale than reality, but neither of those things stops the film from working its charm. Two decades later, people still fall in love with this movie, and it's easy to understand why.

Futurama

4.3

1999 · 11 Seasons · Fox / Comedy Central / Hulu · Animated Sci-Fi Comedy

Futurama carved out a unique space in animated comedy by combining sharp science fiction concepts with the kind of emotional storytelling that can leave you emotionally wrecked by a 22-minute cartoon. Its original run on Fox remains one of the best stretches of animated television ever produced, packed with clever writing, memorable characters, and a handful of episodes that rank among the most emotionally devastating in the medium. The multiple cancellations and revivals have created an uneven viewing experience across its full run, but even the weaker stretches contain enough spark to remind you why the show keeps getting brought back. Few comedies have ever balanced brains and heart this well.

It's Always Sunny in Philadelphia

4.3

2005 · 17 Seasons · FX / FXX · Comedy / Satire

It's Always Sunny in Philadelphia redefined what a sitcom could get away with and kept doing it for longer than any other live-action comedy in American television history. Its core cast of irredeemable narcissists turned taboo subject matter into a playground, and the best seasons deliver some of the sharpest, most fearless comedy ever aired. Later years introduced stretches where the formula felt strained and the edge dulled, but even in weaker runs, the show's willingness to go places no other comedy would touch keeps it relevant. Seventeen seasons in, The Gang still has more hits than misses, and that track record speaks for itself.

Lethal Company

4.3

2023 · Co-op Horror · PC / Steam

Lethal Company is one of those games that sounds unremarkable on paper and then devours your entire friend group's free time for months. A solo developer built a co-op horror experience that generates better stories than most AAA studios write on purpose. The early access status means rough edges still exist, and playing alone isn't really an option, but those limitations fade fast when you're sprinting back to the ship at 11:58 PM while something with too many legs chases your crew through the rain. If you've got friends who play PC games, this belongs on the short list of things to try together.

Parks and Recreation

4.3

2009 · 7 Seasons · NBC · Comedy

Parks and Recreation survived a rough first season to become one of the warmest, funniest workplace comedies in television history. Its secret weapon was sincerity. In an era when most comedies chased cynicism, this show built its laughs around characters who cared deeply about their jobs, their friends, and their fictional small town. The ensemble cast is stacked with memorable performances, and the middle seasons represent a peak that few sitcoms reach. A slow start and an uneven final stretch keep it from perfection, but what works here works so well that it barely matters. This is comfort television that also happens to be consistently, reliably hilarious.

Schitt's Creek

4.3

2015 · 6 Seasons · CBC / Pop TV · Comedy

Schitt's Creek asks for patience and rewards it with one of the most satisfying character journeys in modern comedy. The Rose family starts as a group of shallow, entitled people you'd cross the street to avoid, and by the finale they've become characters you're devastated to leave behind. That transformation is the show's greatest trick, and it works because the writing earns every emotional beat through humor rather than sentimentality. The first season is a hurdle that loses some viewers, and the comedy never reaches the joke density of faster-paced sitcoms. But what it does instead, building a world where acceptance is the default and growth happens through connection, is rarer and more valuable than another show competing for laughs per minute.

South Park

4.3

1997 · 28 Seasons · Comedy Central · Animated Sitcom / Satire

South Park remains one of the boldest comedies on television, willing to say things no other show would consider and often finding something true in the process. Its fast production turnaround lets it engage with the world in near real-time, and when the satire connects, nothing else on TV comes close to its combination of absurdity and insight. The crude animation and relentless vulgarity will always limit its audience, and the show's increased political focus has divided even its most devoted fans. But across nearly three decades, Trey Parker and Matt Stone have built something that no other animated series has attempted on this scale, a comedy that refuses to leave anything off-limits.

The Big Lebowski

4.3

1998 · Joel Coen · 117 min · Comedy / Crime

The Big Lebowski is a film that failed at the box office and then spent the next three decades proving everyone wrong. Jeff Bridges created a character so perfectly realized that an entire subculture formed around him, and John Goodman delivered a comedic performance that deserves to be mentioned alongside the best in the genre. The plot is a mess by design, and not everyone will find that charming. But the dialogue is endlessly quotable, the performances are calibrated to a frequency that only gets funnier on repeat viewings, and the whole thing carries an oddly comforting philosophy about rolling with whatever life throws at you. It's the rare comedy that actually improves every time you see it.

The Good Place

4.3

2016 · 4 Seasons · NBC · Comedy / Fantasy

The Good Place pulled off something that shouldn't be possible. It made moral philosophy laugh-out-loud funny, built a sitcom around questions about what it means to be a good person, and stuck the landing with a finale that left most of its audience in tears. Kristen Bell and Ted Danson lead a cast that turns absurd premises into real emotion, and Michael Schur's writing never talks down to its audience. A slightly weaker third season and occasional dips in comedic consistency keep it from the very top tier, but this is still one of the most creative and emotionally satisfying comedies of its era.

Veep

4.3

2012 · 7 Seasons · HBO · Comedy

Veep is the most vicious comedy of its generation, a show where every character is terrible and the writing makes you love watching them fail. Julia Louis-Dreyfus delivers a performance for the ages as Selina Meyer, winning six consecutive Emmys for a reason that becomes clear within the first five minutes of any episode. The insult comedy alone would be enough to sustain a lesser show, but Veep layers it on top of razor-sharp political satire and an ensemble cast firing on all cylinders. A slight dip in quality after creator Armando Iannucci's departure and a sixth season that coasts more than it should are the only marks against a show that otherwise operates at a level most comedies can't even conceptualize.

Galaxy Quest

4.2

1999 · Dean Parisot · 102 min · Comedy / Sci-Fi

Galaxy Quest pulled off something that should have been impossible: a parody that loves its target so much it became one of the best entries in the genre it's spoofing. Tim Allen and Alan Rickman anchor an ensemble that finds comedy in every corner of fandom culture while simultaneously building a story with real stakes and genuine emotional payoffs. The second half can't match the brilliance of the setup, some effects have aged past their expiration date, and the PG rating occasionally handcuffs the comedy. None of that matters much when the film's heart is this big and this sincere. Twenty-five years later, the fact that actual fans of the franchise being parodied consider this one of the best films in their canon tells you everything.

An American Werewolf in London

4.2

1981 · John Landis · 97 min · Horror / Comedy

An American Werewolf in London rewrote the rules for werewolf movies and then dared you to laugh while it did it. Rick Baker's transformation sequence remains the gold standard for practical effects work in the genre, and the film's willingness to shift between genuine terror and dark comedy gives it a personality that decades of imitators have failed to replicate. The tonal juggling act doesn't always land cleanly, and the third act rushes toward its conclusion faster than the story earns. Those are real weaknesses. But the highs here, the transformation, the decaying Jack, the moors sequence, are so inventive and so committed that they've kept this film in the conversation for over forty years.

Smiling Friends

4.2

2022 · 3 Seasons · Adult Swim · Animation / Comedy / Absurdist

Smiling Friends packed more creative energy into its 11-minute episodes than most shows manage in an hour. The mixed-media animation was constantly surprising, the humor landed with the kind of density that rewards rewatching, and the show never lost the handmade quality that made it feel like nothing else on television. It ended after three seasons by choice rather than decline, which is the rarest kind of exit in animation. For a show about making people smile, it turned out to be pretty good at it.

Harley Quinn

4.2

2019 · 5 Seasons · Max · Animation, Comedy, Action

Harley Quinn is the rare comic book adaptation that found its voice early and kept refining it across five seasons. Its Harley is chaotic, violent, vulnerable, and laugh-out-loud funny, and the show built an entire Gotham around her that feels more alive than most live-action versions. The Harley and Ivy relationship gives the series an emotional core that grounds even its most absurd moments. Later seasons don't quite reach the heights of the second and third, and the violence occasionally tips from darkly comic into gratuitous. But as a complete package, this is one of the most entertaining and emotionally satisfying animated shows DC has produced.

Vainqueur the Dragon

4.2

2019 · Maxime J. Durand · 450 pages · LitRPG / Comedy

Vainqueur the Dragon is the LitRPG genre laughing at itself through the mouth of a sixty-foot dragon who thinks experience points are a form of tribute. Maxime J. Durand wrote the satire that LitRPG needed, wrapped it around strong character work, and somehow maintained both the comedy and the plot integrity across four books without a single plothole. If the genre's usual self-seriousness has worn you down, this is the cure.

Shoresy

4.2

2022 · 5 Seasons · Crave / Hulu · Sports Comedy

A Letterkenny spinoff that had no business being this good, Shoresy turned a one-note trash-talking hockey player into the center of one of the sharpest sports comedies on television. The rapid-fire dialogue hits hard, the locker room ensemble brings genuine warmth, and the show's quiet commitment to representing Indigenous characters and women in positions of authority gives it substance that most comedies in this lane never attempt. Some padding issues creep in during later seasons, and the shift away from the character's signature verbal sparring has divided longtime fans. But five seasons deep, the show keeps finding new ways to tell stories about teamwork, loyalty, and a scrappy hockey team that refuses to fold.

SpongeBob SquarePants

4.2

1999 · 16 Seasons · Nickelodeon · Animation, Comedy

SpongeBob SquarePants produced one of the greatest runs in animated television history during its first three seasons, establishing characters and comedy that became permanently embedded in pop culture. The decline after creator Stephen Hillenburg stepped back is real and well-documented, with several middle seasons delivering mean-spirited, creatively bankrupt episodes that bear little resemblance to what came before. Later seasons recovered some ground but never fully recaptured the original magic. At its best, nothing in animated comedy touches it. The problem is that its best represents only a fraction of what the show eventually became.

Regular Show

4.2

2010 · 8 Seasons · Cartoon Network · Animation, Comedy, Fantasy

Regular Show took the simplest possible premise and turned it into something brilliantly unpredictable. Two slackers try to avoid work, and somehow every episode escalates into cosmic chaos, supernatural threats, or interdimensional warfare. The 80s and 90s nostalgia gives it a warm, specific personality, the character relationships feel genuine, and the humor lands with remarkable consistency across eight seasons. Some episodes blur together due to a repetitive structure, and the final season's space setting divided fans, but the show's ability to find real emotion inside absurd situations makes it one of Cartoon Network's finest achievements.

Jury Duty

4.2

2023 · 2 Seasons · Amazon Freevee / Prime Video · Comedy / Reality

Jury Duty pulled off something that shouldn't have worked. A prank show built around deceiving one person for three weeks sounds like a recipe for cruelty, but the entire production bends toward celebrating its subject rather than humiliating him. James Marsden's self-parodying performance and the tight ensemble of improvisers create a world absurd enough to be hilarious and warm enough to be deeply moving. The middle episodes lose momentum when the comedy drifts away from the courtroom's natural tension, and the ethical questions around the premise never fully disappear. But the finale delivers an emotional payoff that catches most viewers completely off guard, and the show's faith in basic human decency gives it a staying power that most comedy series would kill for.

Malcolm in the Middle

4.2

2000 · 7 Seasons · FOX · Comedy

Malcolm in the Middle redefined what a family sitcom could look like by removing the laugh track, embracing visual comedy, and centering a dysfunctional working-class family whose chaos felt more real than any pristine TV household. Bryan Cranston's Hal is one of television's greatest comic performances, Frankie Muniz's fourth-wall-breaking narration gives the show a distinctive voice, and the Wilkerson boys' escalating destruction provides physical comedy that still hasn't been matched. The later seasons lose some of the anarchic energy as the novelty fades.

Monk

4.2

2002 · 8 Seasons · USA Network · Comedy, Crime, Drama, Mystery

Monk is built on one of the great television performances: Tony Shalhoub's portrayal of Adrian Monk, a brilliant detective crippled by obsessive-compulsive disorder and grief, is funny, heartbreaking, and utterly original. The mysteries are clever, the comedy is warm without being cruel, and the show's exploration of living with mental illness, while sometimes simplified for television, is handled with more care and empathy than it had any obligation to provide. Eight seasons and 125 episodes of consistently entertaining television, anchored by a character who earns every laugh and every tear.

Crashlands

4.2

2016 · Action RPG / Crafting

Crashlands is one of the best crafting-survival games available on mobile, built from the ground up to respect your time and your touchscreen. The inventory management alone puts most desktop survival games to shame, and the humor keeps the grind from ever feeling like work. Combat is simple but satisfying, boss fights are memorable, and the cross-platform cloud saves mean your progress follows you everywhere. It runs out of surprises in the late game and the story loses momentum after the first biome, but by then you've already gotten dozens of hours of genuine fun out of it.

Once Upon a Time in Hollywood

4.2

2019 · Quentin Tarantino · 161 min · Comedy / Drama

Once Upon a Time in Hollywood is Tarantino's most relaxed and personal film, a sun-soaked love letter to 1969 Los Angeles that spends two and a half hours hanging out with its characters before unleashing a violent, cathartic finale that rewrites history. Leonardo DiCaprio and Brad Pitt have electric chemistry as a fading TV star and his stuntman, and the recreation of late-1960s Hollywood is meticulous to the point of obsession. The pacing is deliberately languid, with long stretches that prioritize atmosphere over plot, and viewers who need a story to drive forward will find the first two hours aimless. Margot Robbie's Sharon Tate deserved more to do. But as an exercise in mood, nostalgia, and the bittersweet feeling of watching an era end, it's one of Tarantino's richest achievements.

What We Do in the Shadows

4.2

2019 · 6 Seasons · FX · Comedy, Horror, Mockumentary

What We Do in the Shadows took a cult film premise and stretched it across six seasons of increasingly absurd vampire comedy without ever losing its bite. The ensemble cast found new ways to mine laughs from centuries-old undead roommates navigating modern Staten Island, and the show's willingness to go bigger and weirder with each season kept it from settling into a comfortable rut. Some later seasons pushed the absurdity past the point where the emotional stakes could keep up, and the mockumentary format occasionally felt more like habit than intention. But at its best, this was one of the funniest shows on television, a comedy that made immortality feel hilariously mundane.

30 Rock

4.2

2006 · 7 Seasons · NBC · Comedy

30 Rock crammed more jokes per minute into its 22-minute episodes than almost any comedy in television history, and the hit rate across 138 episodes is staggering. Tina Fey and Alec Baldwin have one of the great platonic screen partnerships, the supporting cast commits to absurdity with total conviction, and the writing rewards rewatching in ways that few comedies can match. Low mainstream viewership and some later-season fatigue keep it from the conversation about universally beloved shows, but among the people who found it, 30 Rock is the comedy they quote more than any other. This is a show that trusted its audience to keep up, and the audience that did was rewarded handsomely.

Psychonauts 2

4.2

2021 · 3D Platformer · PC / Steam

Psychonauts 2 is a game that leads with imagination and never runs out of it. Double Fine built something that looks, sounds, and feels like nothing else in the platforming genre, and the way it handles its themes of mental health gives the whole experience a warmth that sticks with you. Combat drags the package down a tier, and the difficulty won't push experienced players, but the level design alone makes this essential for anyone who cares about creative game worlds. Sixteen years between sequels, and the studio came back with something better than the original in almost every way.

The Marvelous Mrs. Maisel

4.1

2017 · 5 Seasons · Amazon Prime Video · Comedy, Drama, Period

The Marvelous Mrs. Maisel is a gorgeously produced period comedy that lives and dies by its rapid-fire dialogue and Rachel Brosnahan's magnetic lead performance. Its first two seasons are exceptional television, with sharp writing, stunning production design, and a propulsive energy that makes each episode fly by. Later seasons repeat familiar story beats and lose some momentum, but the show never stops being entertaining to watch or beautiful to look at. A final season course-correction delivers a satisfying conclusion that honors the character's journey. If you love fast-talking comedies with heart and style to spare, Maisel delivers both in abundance.

Scrubs

4.1

2001 · 9 Seasons · NBC / ABC · Comedy / Medical Drama

The rare comedy that could make you laugh and cry in the same episode, sometimes in the same scene. Bill Lawrence's medical comedy used J.D.'s overactive imagination as a storytelling device that kept the format fresh for years, and the friendships at its core, particularly the bond between J.D. and Turk, became some of the most beloved in television comedy. The first eight seasons tell a complete, satisfying story. The ninth season, a soft reboot that even its creator acknowledges was a misstep, is best treated as a separate entity. At its peak, nothing on television balanced humor and heartbreak with this much precision.

Knives Out

4.1

2019 · Rian Johnson · 130 min · Mystery / Comedy / Crime

Knives Out is the most fun anyone has had with a murder mystery in years. Rian Johnson takes a genre that can feel dusty and museum-piece and turns it into something that crackles with energy and genuine surprise. Daniel Craig is having the time of his life, Ana de Armas gives the film its heart, and the ensemble cast chews the scenery in all the right ways. The social commentary doesn't always land with the precision of the mystery plotting, and some viewers will find the political thread heavy-handed. But as a piece of entertainment that respects its audience's intelligence while never forgetting to be a good time, it's very close to perfect. This is a crowd-pleaser that actually earns the crowd.

Community

4.1

2009 · 6 Seasons · NBC · Comedy

Community is the rare sitcom that treated its format as a playground rather than a constraint, turning a community college setting into a launchpad for genre parodies, emotional character work, and some of the most inventive comedy episodes ever aired on network television. Dan Harmon's vision produced a first three seasons that rank among the best in comedy history, anchored by an ensemble cast with chemistry that no amount of behind-the-scenes chaos could fully diminish. Cast departures and one notably rough season keep it from sustained greatness across all six seasons, but the highs are so high that the lows feel like a reasonable price of admission. Six seasons happened. The movie is reportedly on its way.

Tremors

4.0

1990 · Ron Underwood · 96 min · Horror / Comedy

Tremors is a film that has no business being as good as it is. A B-movie creature feature about underground worms attacking a desert town should be disposable entertainment at best, but smart writing, practical effects that still hold up, and a cast with genuine chemistry turned it into something that people have been rewatching for over three decades. The first act takes its time getting started, the premise is inherently ridiculous, and it wears its low budget in spots. None of that diminishes the fact that this is one of the most purely entertaining monster movies ever made, a film that respects its audience enough to let its characters think their way out of problems instead of just running and screaming.

Dandadan

4.0

2024 · 1 Season · MBS / TBS · Supernatural / Action / Comedy / Romance

Dandadan throws ghosts, aliens, teenage romance, and absurdist comedy into a blender and somehow produces something that feels completely coherent. Science SARU's animation is jaw-dropping, the chemistry between its leads carries real emotional weight alongside the chaos, and the show's willingness to be weird without apologizing for it makes every episode feel unpredictable. The breakneck pacing occasionally leaves character development behind, and certain mature elements won't land for everyone. But as a pure shot of creative energy, Dandadan is the most exciting new anime to arrive in 2024.

The Great

4.0

2020 · 3 Seasons · Hulu · Satirical Dark Comedy / Historical Drama

The Great is a gleefully irreverent take on Catherine the Great's rise to power, carried by two lead performances that elevate every scene they inhabit. Elle Fanning and Nicholas Hoult have the kind of on-screen chemistry that makes you forget you're watching actors, and Tony McNamara's writing is sharp enough to make the absurdity of 18th-century Russian court politics feel fresh and funny across three seasons. The show occasionally struggles with pacing in its middle stretches, and its commitment to anti-historical chaos can leave viewers wanting more substance beneath the wit. Those who connect with its wavelength will find one of the most entertaining period shows of the 2020s, and one that was cancelled before it ran out of ideas.

The Other Two

4.0

2019 · 3 Seasons · Comedy Central / Max · Comedy / Satire

The Other Two is one of the sharpest comedies about fame and family from the past decade, following two floundering adult siblings as their teenage brother becomes an overnight internet celebrity. Across three seasons, the show evolved from grounded showbiz parody into increasingly surreal satire while never losing sight of the very real insecurities driving its characters. It's laugh-out-loud funny, surprisingly moving, and one of the most under-seen comedies of its era.

The Fifth Element

4.0

1997 · Luc Besson · 126 min · Sci-Fi, Action, Comedy

The Fifth Element is a film that runs entirely on confidence and style, and it has enough of both to power a small city. Besson's vision of the future is colorful, chaotic, and bursting with personality, delivered at a pace that refuses to let you get bored. It's uneven in places, the plot is pure pulp, and the humor won't land for everyone. But there's nothing else quite like it, and that kind of singular creative vision ages better than most blockbusters from 1997.

Letterkenny

4.0

2016 · 12 Seasons · Crave / Hulu · Comedy

Twelve seasons of rapid-fire wordplay, small-town Canadian life, and characters so deeply committed to their bit that the bit becomes something close to art. Letterkenny's best episodes are unlike anything else in comedy television, powered by a writing style that treats dialogue as a competitive sport and a cast that delivers it with flawless timing. The show lost some momentum in its middle seasons when the formula started showing its seams, but it found its way back for a strong finish. For anyone willing to tune their ear to the rhythm and accept that plot is secondary to conversation, this is one of the sharpest comedies of the past decade.

Deadpool

4.0

2016 · Tim Miller · 108 min · Action / Comedy

Deadpool proved that a superhero film could be profane, self-aware, and R-rated while still connecting with a massive audience. Ryan Reynolds owns every frame, the fourth-wall humor lands more often than it misses, and the romance at the center gives the whole thing an emotional anchor that most films in the genre lack. A forgettable villain and a plot that never rises above its formula keep it from greatness, but the sheer force of personality carries it further than a $58 million budget had any right to go. It blew open the door for R-rated superhero films and remains one of the most entertaining entries the genre has produced.

The Hidden Fortress

4.0

1958 · Akira Kurosawa · 139 min · Adventure / Comedy

Akira Kurosawa's 1958 adventure comedy is his most purely entertaining film, a rousing tale of two bickering peasants, a fierce general, and a disguised princess trying to smuggle gold through enemy territory. It's the film that directly inspired Star Wars, and watching it, you can see exactly where George Lucas found his template. The humor lands, the action thrills, and Mifune commands every scene he's in. It lacks the depth of Kurosawa's masterworks, but as sheer crowd-pleasing cinema, it delivers.

Only Murders in the Building

4.0

2021 · 4 Seasons · Hulu · Comedy-Mystery

Only Murders in the Building is a charming, clever comedy-mystery that gets remarkable mileage out of the chemistry between Steve Martin, Martin Short, and Selena Gomez. Its true-crime-podcast premise is both a loving homage and a sharp satire, and the show's best seasons balance genuine whodunit tension with character comedy that lands consistently. Later seasons show some formula fatigue, cycling through new murders and celebrity guest stars with diminishing returns, but the central trio remains a delight and the show's warmth keeps it enjoyable even when the mysteries themselves lose some of their punch.

Annie Hall

4.0

1977 · Woody Allen · 93 min · Comedy, Romance

Annie Hall changed what a romantic comedy could be, and its influence on the genre is hard to overstate. Diane Keaton's performance remains a high point of American screen comedy, and the film's structural inventiveness still feels fresh decades later. Alvy Singer's self-absorption limits the emotional range, and some of the cultural references have faded. But as a portrait of how relationships fall apart despite the best intentions of the people in them, it still finds the nerve.

Arrested Development

4.0

2003 · 5 Seasons · Fox / Netflix · Comedy / Satire

Arrested Development built one of the most intricate comedic worlds television has ever seen, packed with layered jokes, running gags, and foreshadowing that rewards obsessive rewatching. Its first three seasons on Fox represent a high-water mark for the sitcom format, with an ensemble cast firing on all cylinders and writing dense enough to reveal new details on the fifth viewing. The Netflix revival stumbled badly, fracturing the family dynamic that made everything work and never fully recovering across two uneven seasons. That decline is real, and it takes some of the shine off the show's legacy. Still, those original 53 episodes remain some of the funniest, most inventive comedy ever produced for television.

Birdman or (The Unexpected Virtue of Ignorance)

4.0

2014 · Alejandro González Iñárritu · 119 min · Comedy / Drama

Birdman is a film that refuses to sit still, both literally and figuratively. The continuous-shot illusion is a technical marvel that serves the story rather than overshadowing it, and Michael Keaton delivers the kind of career performance that reminds you why he was a star in the first place. It's smart, funny, and surprisingly moving when it wants to be. The pretension accusations aren't entirely unfounded, but the film earns most of its ambition through sheer execution and a cast that commits fully to the chaos.

Brooklyn Nine-Nine

4.0

2013 · 8 Seasons · Fox / NBC · Comedy / Crime

Brooklyn Nine-Nine built one of the most likable ensemble casts in modern sitcom history and used a police precinct setting to deliver fast, warm, and reliably funny comedy for most of its run. Its first five seasons on Fox represent the show at its best, balancing absurd humor with surprisingly effective character work and progressive representation that never felt forced. The move to NBC brought uneven later seasons, and a final year that tried to wrestle with real-world policing issues produced deeply divided reactions from its audience. That rocky ending doesn't erase what came before. At its peak, Brooklyn Nine-Nine was comfort food television executed with skill, heart, and an ensemble that made you want to hang out at the Nine-Nine.

Friends

4.0

1994 · 10 Seasons · NBC · Sitcom / Comedy

Friends became a global phenomenon for a reason. Six actors with remarkable chemistry carried 236 episodes of sharp comedic writing, quotable dialogue, and warm found-family storytelling that still functions as peak comfort television decades later. Some of the humor has aged poorly, the later seasons lose steam, and the central romance looks rougher under a modern lens. None of that erases the fact that this show shaped an entire generation of sitcoms and remains one of the most rewatched series in television history.

Mechs vs. Minions

4.0

2016 · 2-4 Players · ~60-90 min · Cooperative Campaign / Programmed Movement

Mechs vs. Minions delivers one of the most generous packages in board gaming and backs it up with a cooperative programming system that generates chaos, laughter, and genuine teamwork in equal measure. The campaign is short, replayability after completion is limited, and the box takes up more shelf space than some small furniture. But for a group of two to four players looking for a campaign experience that teaches quickly and rewards coordination, this is a tremendous value and a reliably good time from the first mission to the last.

Ted Lasso

4.0

2020 · 3 Seasons · Apple TV+ · Comedy / Drama

Ted Lasso arrived at a time when television audiences were drowning in cynicism, and its relentless optimism felt like oxygen. The first two seasons deliver some of the warmest, funniest, and most emotionally intelligent comedy in recent memory, anchored by Jason Sudeikis and a deep ensemble that makes every character feel worth caring about. Season three's bloated episodes and scattered focus dull the momentum considerably, turning what could have been a perfect run into a good one with a disappointing final stretch. The show still lands more than it misses across 34 episodes, and at its best, it's the kind of television that actually makes you want to be a better person.

The Simpsons

4.0

1989 · 37 Seasons · Fox · Animated Sitcom / Satire

The Simpsons produced what many consider the greatest run of comedic television ever made, with its first eight or nine seasons operating at a level of wit, heart, and cultural sharpness that changed the medium forever. Everything that came after has been a long, slow coast downhill, and that's both the show's tragedy and an unfair standard few programs could ever meet. Modern episodes aren't unwatchable, but they're a faint echo of what this show once was. The golden age alone earns its place among the all-time greats, and that body of work continues to influence every animated comedy that followed.

Forrest Gump

4.0

1994 · Robert Zemeckis · 142 min · Drama / Comedy

Forrest Gump is a crowd-pleaser built on one of the best lead performances of the 1990s. Tom Hanks disappears into the role, and the film's emotional beats still land hard three decades later. Its treatment of history and ideology won't satisfy everyone, and the Best Picture debate will never truly end. But as a piece of popular filmmaking designed to make you feel something, it does exactly what it sets out to do, and very few films have done it better.

Trailer Park Boys

3.8

2001 · 12 Seasons · Showcase / Netflix · Comedy / Mockumentary

Trailer Park Boys produced some of the funniest, most quotable comedy in Canadian television history during its original Showcase run. Its mockumentary format, improvised feel, and the trio of Ricky, Julian, and Bubbles created something that felt completely genuine in its absurdity. Netflix's revival kept the characters alive but lost the creator and much of the sharpness that made the early seasons special, trading simple, effective storytelling for increasingly convoluted plots. At its best, this show is worth seeking out without question. Knowing when to stop watching is the real challenge.

True Lies

3.8

1994 · James Cameron · 141 min · Action / Comedy

True Lies is James Cameron proving he could direct comedy with the same command he brought to action, and Arnold Schwarzenegger proving he could be funny and formidable in the same scene. Jamie Lee Curtis steals the second half of the film entirely, Tom Arnold provides surprisingly effective comic relief, and the action sequences deliver on a scale that 1994 audiences had rarely seen. The runtime bloats past what the story can sustain, the villain characterization is the thinnest element by far, and some of the humor has aged unevenly. But as a big, loud, entertaining marriage of action spectacle and domestic comedy, it still works.

Mark of the Fool

3.8

2022 · J.M. Clarke · 698 pages · Progression Fantasy

Mark of the Fool takes a classic chosen-one setup and flips it sideways, handing its protagonist the worst possible divine mark and then watching him turn that handicap into an advantage through clever thinking and stubborn refusal to accept his designated role. The magic system is inventive, the humor lands more often than it misses, and the progression from powerless to formidable feels satisfying. It struggles with pacing and identity in its early chapters, trying to be too many kinds of story at once, but readers who settle into its rhythm will find a smart and entertaining fantasy that rewards patience.

Platonic

3.8

2023 · 2 Seasons · Apple TV+ · Comedy

A buddy comedy about platonic friendship between a man and a woman that refreshingly refuses to turn into a romance. Rose Byrne and Seth Rogen have the kind of natural, combustible chemistry that makes every scene together feel effortless, and their dynamic as two friends navigating separate midlife crises provides the show with a reliable comic engine across two seasons. The supporting cast gets pushed to the margins by the central pairing's dominance, and the show sometimes chooses gentle amusement over genuine insight into the midlife anxieties it raises. But the second season tightened up considerably, and when Platonic commits to being a hangout comedy about two people who make each other's lives simultaneously better and worse, it's one of the most purely enjoyable shows on streaming.

American Dad!

3.8

2005 · 22 Seasons · Fox / TBS · Animated Sitcom

American Dad! spent its early years trying to escape its creator's shadow, and somewhere around season four it succeeded completely. Roger's limitless personas became the engine for the show's best episodes, the Smith family dynamics found a groove that balanced absurdity with genuine emotional stakes, and the writing pivoted away from topical political humor toward something much stranger and more rewarding. The TBS years gave the creative team freedom that produced some of the show's strongest work, even if the lower budget occasionally showed. Twenty-two seasons in, consistency is the main issue, with a growing gap between the episodes that land and the ones that feel like they're coasting.

Dave

3.8

2020 · 3 Seasons · FXX · Comedy

Dave is a show that works hardest when you least expect it to. Beneath the avalanche of crude jokes and genital-related humor lies a surprisingly sincere exploration of insecurity, friendship, and the cost of chasing creative ambition. Its second season is excellent television, and the supporting cast elevates what could have been a vanity project into something with real heart. The crude humor will push some viewers away before the show reveals its depth, and the third season doesn't quite sustain the highs of the second, but at its best, Dave earns its place in the conversation about modern comedies that manage to be both absurd and affecting.

Deadpool 2

3.8

2018 · David Leitch · 119 min · Action / Comedy

Deadpool 2 goes bigger than its predecessor in nearly every way, and that cuts both ways. The addition of Cable, Domino, and a full ensemble gives the film more to play with, and David Leitch's action pedigree produces set pieces that are a clear step up from the original. Ryan Reynolds remains the engine that makes everything run, and enough of the humor connects to keep the ride entertaining. But a controversial story choice that sidelines Vanessa, pacing that sags when the jokes thin out, and a sense that the formula is running closer to empty keep it from matching the original's spark. It's a good time that occasionally settles for being a loud one.

Deadpool & Wolverine

3.8

2024 · Shawn Levy · 127 min · Action / Comedy

Deadpool & Wolverine runs almost entirely on the combustible chemistry between Ryan Reynolds and Hugh Jackman, and that fuel turns out to be enough to power a wildly entertaining ride. The action is brutal and inventive, the soundtrack choices are inspired, and the self-aware humor lands more often than it misses. A weak villain, an overreliance on cameos, and a story that sometimes feels like a delivery mechanism for references rather than a narrative keep it from the upper tier of the genre. But as a send-off for Fox's Marvel era and a showcase for two actors who clearly love working together, it does exactly what it sets out to do.

Saints Row: The Third

3.8

2011 · Action / Open World · PC / Steam

Saints Row: The Third is the entry where the franchise fully committed to absurdist comedy, delivering an open-world sandbox where you fight with dildo bats, call in airstrikes during gang wars, and participate in a Japanese game show that involves mascot combat. The commitment to escalating ridiculousness creates genuine joy, the co-op multiplies the chaos delightfully, and the game never pretends to be anything other than interactive entertainment. The humor won't land for everyone, the city is forgettable, and the moment-to-moment gameplay is competent rather than excellent.

New Girl

3.8

2011 · 7 Seasons · FOX · Comedy / Romance

New Girl built one of television's most lovable friend groups around Zooey Deschanel's adorkable Jess and three male roommates who gradually became family. The ensemble chemistry between the four loftmates, particularly Jake Johnson's Nick Miller, generates consistently funny and surprisingly emotional comedy. The first three seasons are the show's peak, with the Nick-Jess romance providing a compelling will-they/won't-they. Later seasons struggle with recycled relationship dynamics and a shortened final season that feels rushed.

The Fresh Prince of Bel-Air

3.8

1990 · 6 Seasons · NBC · Comedy

The Fresh Prince of Bel-Air made Will Smith a star through a fish-out-of-water comedy that was funnier, more culturally significant, and more emotionally complex than its premise suggested. The class and cultural dynamics between Will and the Banks family provide comedy with genuine social observation, and the dramatic episodes, particularly the famous father scene, achieve an emotional power that transcends the sitcom form. The later seasons lose creative energy as the show became more of a vehicle for Smith's stardom than a comedy about culture clash.

Modern Family

3.8

2009 · 11 Seasons · ABC · Comedy

Modern Family redefined the family sitcom for a new era by presenting a multigenerational, diverse family through the mockumentary lens that made each episode feel intimate and immediate. The first five seasons deliver some of the sharpest, warmest comedy of the 2010s, with an ensemble so perfectly cast that every family member gets their share of standout moments. The later seasons ran on momentum rather than invention, and eleven seasons was several too many, but the family it built remains one of television's most endearing.

Nurse Jackie

3.8

2009 · 7 Seasons · Showtime · Comedy / Drama

Nurse Jackie is a bruising, often brilliant character study held together by Edie Falco's ferocious lead performance. The show takes an unflinching look at addiction through the lens of a deeply competent ER nurse who happens to be destroying herself and everyone around her, and it refuses to offer easy answers or redemption arcs. Supporting cast chemistry and sharp half-hour pacing keep it moving through seven seasons. The writing doesn't always match Falco's intensity, and some middle seasons spin their wheels, but the show's commitment to showing addiction as it actually works, cyclical and resistant to neat resolution, makes it one of the more honest medical dramas ever produced.

Orange Is the New Black

3.8

2013 · 7 Seasons · Netflix · Comedy / Drama

Orange Is the New Black brought an unprecedented level of diversity and humanity to television, building a sprawling ensemble inside a women's federal prison that felt more alive than most prestige dramas. The first few seasons crackle with sharp writing, dark humor, and genuine emotional weight. Later seasons lose some of that momentum as the cast expands and plotlines stretch thinner, but the show's willingness to center voices rarely heard on mainstream television remains its lasting achievement. It changed what streaming original content could look like and proved that stories about marginalized women could draw massive audiences.

Wednesday

3.8

2022 · 2 Seasons · Netflix · Supernatural Mystery / Comedy

Wednesday takes a beloved character and drops her into a teen mystery format that works better than it probably should. Jenna Ortega's deadpan performance carries the show through weaker plotting and some casting choices that don't quite land. The gothic visuals are gorgeous, the humor hits more often than it misses, and Ortega's chemistry with Emma Myers gives the show a genuine emotional core. The mysteries themselves are the weakest link, often predictable and occasionally convoluted, and the Addams Family elements beyond Wednesday herself feel undercooked. It's a fun, stylish show that knows what it does best and mostly sticks to it.

Rick and Morty

3.8

2013 · 8 Seasons · Adult Swim · Animated Sci-Fi Comedy

Rick and Morty at its best is inventive, emotionally complex science fiction comedy that uses infinite universes as a playground for ideas no other show would attempt. Its first three seasons delivered a rare combination of absurdist humor and genuine philosophical weight, wrapped in animation that pushed the boundaries of what the medium could do on television. The show's later seasons lost some of that magic, and the behind-the-scenes upheaval following co-creator Justin Roiland's departure created a visible fault line in the fan community. What remains is still smarter and more ambitious than most animated comedies, but the gap between its peaks and its recent output is impossible to ignore.

The Afterparty

3.7

2022 · 2 Seasons · Apple TV+ · Comedy / Mystery

A murder mystery comedy built on a clever structural gimmick: each episode retells the same night through a different character's perspective, and each perspective transforms the entire episode into a different film genre. Season one pulls this off with infectious energy, a stacked ensemble, and a whodunit that actually rewards close attention. Season two repeats the formula at a wedding with diminishing returns, swapping out most of the cast and leaning harder into genre parody without the character depth that made the first year work. The cancellation after two seasons felt inevitable given the second season's quieter reception, but the first season remains one of the most inventive comedy experiments Apple TV+ has produced.

Guardians of the Galaxy Vol. 2

3.5

2017 · James Gunn · 136 min · Action / Comedy

Guardians of the Galaxy Vol. 2 bet everything on emotional depth and the gamble mostly paid off. Yondu's arc is the best character work in the entire MCU up to that point, Baby Groot is a merchandising phenomenon who also happens to be charming on screen, and the father-son story at the center carries real weight. The humor hits harder when it lands, but it misses more often than the first film, and some jokes undercut dramatic moments that deserved room to breathe. The pacing stalls on Ego's planet, and the Sovereign subplot never earns its screen time. It is a messier film than its predecessor, but the emotional peaks are higher, and that final sequence still hits.

Small Medium: Big Trouble

3.5

2018 · Andrew Seiple · 262 pages · Fantasy

Andrew Seiple's LitRPG comedy drops a halven girl with zero combat skills into a world that runs on RPG mechanics, then watches her talk, bluff, and prophesy her way through problems that most protagonists would solve with a sword. The class system is inventive, the humor is consistent without being exhausting, and Chase Berrymore is the rare non-combat protagonist who feels clever rather than helpless. The opening chapters take too long to find their footing, and readers unfamiliar with the Threadbare universe may feel like they've walked into the middle of a conversation. But once the story picks up speed, it delivers a smart, funny take on LitRPG that proves brains and words can carry a fantasy adventure just as well as stats and steel.

Solar Opposites

3.5

2020 · 6 Seasons · Hulu · Animation / Comedy / Sci-Fi

Solar Opposites is a show at war with itself. Its main storyline delivers reliable animated comedy that coasts on rapid-fire gags and alien absurdity without ever becoming essential viewing. Its Wall subplot is something entirely different: a sprawling, inventive story-within-a-story that earned a level of investment the primary narrative never matched. Six seasons and 63 episodes produced plenty of laughs, but the show's most lasting legacy might be proving that its best idea deserved to be its own series.

There is No Epic Loot Here, Only Puns

3.5

2017 · stewart92 · Fantasy

stewart92's dungeon core comedy takes the genre's standard formula of monsters, traps, and adventurer murder and replaces it with mushrooms, puns, and aggressive friendliness. Delta is a thoroughly charming protagonist whose refusal to play by dungeon rules creates an endlessly inventive comedic premise. The humor lands more often than it misses, the supporting cast grows into something close to a found family, and the best chapters capture a Pratchett-like warmth beneath the jokes. The story meanders badly in its middle stretches, the character count balloons past the point where any single arc can maintain momentum, and the pacing trades narrative drive for vibes. But for readers who want a dungeon core story that prioritizes heart over horror, this delivers with a groan-worthy pun on every floor.

Ant-Man

3.5

2015 · Peyton Reed · 117 min · Action / Comedy

Ant-Man arrived as a palate cleanser in a franchise that was starting to take itself very seriously, and it works precisely because it keeps the scope small. Paul Rudd's charm carries the film through its weaker stretches, Michael Pena steals every scene he appears in, and the shrinking sequences deliver some of the most inventive action in the MCU. The villain is underwritten in ways the film never overcomes, and the origin story structure follows a template audiences had seen several times by 2015. Those are legitimate knocks. But the heist framework gives the film a shape that most superhero origin stories lack, and the sense of fun is infectious enough to forgive the places where the formula shows through.

Mythic Quest

3.5

2020 · 4 Seasons · Apple TV+ · Workplace Comedy

Mythic Quest spent four seasons inside a fictional game studio and found something surprisingly affecting beneath the workplace comedy formula. The show's standalone episodes rank among the best individual episodes of any comedy in the 2020s, and the ensemble cast built a dynamic that grew richer with each season. Its week-to-week plotting could feel loose and aimless at times, and the later seasons occasionally struggled to find new directions for characters whose arcs had already peaked. Low viewership ultimately ended the show before its time, but what it left behind is a workplace comedy with more heart and ambition than its modest reputation suggests.

Dickinson

3.5

2019 · 3 Seasons · Apple TV+ · Comedy-Drama

Dickinson took one of American literature's most studied figures and turned her into a rebellious young woman fighting for creative freedom in a world that had no interest in giving it to her. Hailee Steinfeld's performance grounds the show's wildest instincts, and the best episodes find a real emotional charge in the collision between Emily's ambitions and her era's constraints. The anachronistic approach that defines the series is also its most divisive element: the modern music, contemporary language, and tonal shifts between comedy and drama don't always coexist cleanly, and some stretches feel more interested in being clever than in being coherent. It's a show that swings big and connects often enough to justify the misses, earning its Peabody Award through sheer creative commitment.

Family Guy

3.5

1999 · 24 Seasons · Fox · Animated Sitcom

Twenty-four seasons in, Family Guy occupies a strange spot in television. Its best years produced some of the funniest animated comedy of the 2000s, with a willingness to go places other shows wouldn't touch. The worst stretches leaned so hard on the cutaway format and shock value that entire episodes felt like a string of loosely connected sketches held together by nothing. The show has survived cancellation, cultural shifts, and a fanbase that can't seem to agree on whether it's still worth watching, which might be the most Family Guy thing about it.

That '70s Show

3.5

1998 · 8 Seasons · FOX · Comedy

That '70s Show captured the awkwardness and excitement of teenage life through a 1970s lens that felt both nostalgic and timeless, anchored by a young ensemble cast that included future stars Ashton Kutcher, Mila Kunis, and Topher Grace. The basement hangout sessions, the circle format, and the parent dynamics create a sitcom that's as much about friendship as it is about its era. The final season, with Topher Grace's departure, is widely regarded as a significant quality drop, and the humor can be broader than the character work deserves.

Will & Grace

3.5

1998 · 11 Seasons · NBC · Comedy

Will & Grace broke ground as network television's first prime-time sitcom with gay lead characters and earned its audience through sharp writing and a comedic ensemble anchored by the dynamic between Eric McCormack and Debra Messing. Sean Hayes' Jack and Megan Mullally's Karen stole every scene they were in, becoming two of the most quoted characters of the era. The revival seasons (2017-2020) diluted the show's legacy, and the humor occasionally relies on stereotypes it's simultaneously attempting to normalize.

Everybody Loves Raymond

3.5

1996 · 9 Seasons · CBS · Comedy

Everybody Loves Raymond mined the specific anxieties of family proximity for nine seasons of reliably funny, sometimes painfully accurate domestic comedy. The Barone family dynamics, particularly the mother-in-law conflict and the sibling rivalry, are drawn from observations so specific that they feel universal. Doris Roberts and Peter Boyle as the overbearing parents are the show's secret weapons, elevating familiar family sitcom territory into something sharper. The format is deeply traditional and the humor relies on recycled family dynamics that can feel repetitive across 210 episodes.

How I Met Your Mother

3.5

2005 · 9 Seasons · CBS · Comedy / Romance

How I Met Your Mother built one of the most beloved sitcom friend groups of the 2000s and pioneered a nonlinear storytelling structure that gave a standard sitcom genuine narrative ambition. The first five seasons are consistently funny, emotionally resonant, and structurally inventive, with Neil Patrick Harris's Barney Stinson becoming a cultural phenomenon. The controversial finale and the declining quality of the final seasons cast a shadow that the show's considerable strengths don't entirely escape.

Californication

3.5

2007 · 7 Seasons · Showtime · Comedy / Drama

Californication runs on David Duchovny's magnetic turn as Hank Moody, a self-destructive novelist whose charm barely conceals the wreckage he leaves behind. The first four seasons deliver sharp writing, great music, and a surprisingly tender love story buried under layers of bad behavior. After that, the formula runs dry. Repetitive storylines, diminishing returns on shock value, and a final season that limps to the finish line keep the show from fulfilling its early potential. At its best, it's a funny and unexpectedly moving portrait of a man at war with himself. At its worst, it's a show that forgot why its own premise worked.

Weeds

3.5

2005 · 8 Seasons · Showtime · Comedy / Drama

Weeds built one of television's most entertaining premises around a suburban widow selling marijuana, and for its first three seasons it delivered sharp satire, complex characters, and a fearless willingness to push its heroine into increasingly dangerous territory. Mary-Louise Parker's performance as Nancy Botwin anchors the entire run. The problem is that the show kept going long past the point where the original concept could sustain it, shedding what made it special in favor of increasingly implausible escalation. The early seasons remain a high point of cable comedy. Everything after is a cautionary tale about what happens when a show outlives its premise.

The Terminal

3.5

2004 · Steven Spielberg · 128 min · Comedy

The Terminal is minor Spielberg, and it knows it. Tom Hanks brings warmth and specificity to a character who could easily have been a caricature, and the airport as a self-contained world is more charming than it has any right to be. The plot is too thin for its runtime, the romance doesn't convince, and the sentimentality runs unchecked in the final act. But as a gentle, good-natured film about kindness and patience in a system designed for neither, it has a modest appeal that's hard to dislike even when it's impossible to love.

Loot

3.3

2022 · 3 Seasons · Apple TV+ · Comedy

A workplace comedy that coasts almost entirely on Maya Rudolph's charm and the strong chemistry of its supporting ensemble. Rudolph plays a newly divorced billionaire who discovers her own charitable foundation, and the fish-out-of-water premise generates reliable laughs without ever digging deep enough into its satirical potential. The show wants to comment on wealth inequality but treats its billionaire protagonist with too much affection to land any real punches. Three seasons in, Loot remains a pleasant, lightweight comedy that never quite becomes the sharper show its premise promises, carried by a cast that deserves writing with more bite.

The Big Bang Theory

3.3

2007 · 12 Seasons · CBS · Comedy

The Big Bang Theory became the most-watched comedy on television by making nerd culture accessible to mainstream audiences, with Jim Parsons's Sheldon Cooper becoming one of the most recognizable sitcom characters of the 21st century. The show's early seasons balance genuine affection for its characters with sharp comedy, and the ensemble works well together. Later seasons drift toward conventional relationship sitcom territory that contradicts the show's original identity, and the humor's relationship to geek culture shifted from celebration to something closer to mockery over time.

Entourage

3.3

2004 · 8 Seasons · HBO · Comedy / Drama

Entourage is a Hollywood fantasy machine powered by wish fulfillment, celebrity cameos, and Jeremy Piven's volcanic performance as super-agent Ari Gold. The first four seasons deliver a breezy, entertaining ride through a version of Los Angeles where everything works out for the main characters, and the fun is infectious when you stop resisting it. Later seasons run out of creative energy, and the show's treatment of women, always a weak point, hasn't aged well at all. It's a time capsule of mid-2000s bro culture that's simultaneously easy to binge and difficult to defend. If you can enjoy it for what it is without expecting it to be more, there's genuine entertainment here.