Tags / HBO

"HBO"

36 BuzzVerdicts

Band of Brothers

4.8

2001 · 1 Season · HBO · War / Drama

Band of Brothers follows Easy Company from training through the end of World War II, and across ten episodes it builds into one of the most powerful war stories ever put on screen. The ensemble cast brings dozens of real soldiers to life with performances that carry weight far beyond what most miniseries manage, and the production never cuts corners on authenticity or emotional honesty. A few characters blur together early on, and some historical liberties have drawn fair criticism over the years. Those are small marks against a show that earns its massive reputation through sheer commitment to telling this story right. More than two decades later, it remains the standard by which all war television is measured.

The Sopranos

4.8

1999 · 6 Seasons · HBO · Crime / Drama

A New Jersey mob boss walks into a therapist's office, and over six seasons that setup becomes the most influential television drama of its generation. James Gandolfini's Tony Soprano is a creation so fully realized that every actor who has played an antihero since owes something to this performance. The pacing tests you, the dream sequences divide opinion, and the finale will start an argument in any room. Those are real flaws, but they exist inside a show that rewrote the rules for what television could be. More than 25 years after its premiere, nothing about it feels small.

The Wire

4.8

2002 · 5 Seasons · HBO · Crime Drama

Across five seasons and 60 episodes, The Wire built something that still stands apart from everything else on television. Its writing treats viewers like adults, its characters feel like real people caught in systems bigger than themselves, and its portrait of a single American city remains unmatched in scope and honesty. The slow pacing and season five's stumbles are real drawbacks, not invented ones. They just don't come close to outweighing what this show accomplishes when it's firing on all cylinders. If you have the patience for it, very few shows will reward you this completely.

Chernobyl

4.7

2019 · 1 Season · HBO · Drama / History / Thriller

Five episodes is all it takes. Craig Mazin's dramatization of the 1986 nuclear disaster is carried by three lead performances that are among the best in recent television history, wrapped in a score and visual presentation that make every minute feel suffocating in the best possible way. Some scientific liberties and a handful of simplified character portrayals keep it from perfection, but the minor stumbles barely register against the weight of what this miniseries achieves. Chernobyl tells a story about the cost of institutional dishonesty with a clarity and emotional force that stays with you long after the credits roll, and years later, it remains one of the finest limited series ever produced.

The White Lotus

4.5

2021 · 3 Seasons · HBO · Black Comedy Drama

The White Lotus is one of the most distinctive series HBO has produced in years, a darkly funny anthology that uses gorgeous resort settings to dissect the ugliness underneath wealth, entitlement, and the stories people tell themselves. Seasons one and two are as close to perfect as prestige TV gets. Season three shows signs of formula fatigue but still delivers more than most shows manage in their prime. Watch it and watch it with people who want to argue about it afterward.

Mare of Easttown

4.5

2021 · 1 Season · HBO · Crime Drama

Mare of Easttown is a masterclass in how to do a limited series right: a murder at the center, a community threaded around it, and a lead performance that makes everything feel urgent and real. Kate Winslet is extraordinary, the Delaware County setting feels lived-in and specific, and the finale carries genuine emotional weight. A few subplot missteps don't change the fact that this is exactly what prestige TV is capable of at its best.

Barry

4.5

2018 · 4 Seasons · HBO · Dark Comedy

Barry ran for four seasons on HBO and left behind one of the most confident, inventive half-hour shows in recent memory. Bill Hader built something that started as a dark comedy about a hitman in an acting class and evolved into a full-blown examination of violence, identity, and the stories people tell themselves. The supporting cast, particularly Anthony Carrigan as NoHo Hank and Henry Winkler as Gene Cousineau, elevated every episode they touched. Later seasons pushed harder into darkness, and the finale swung for the fences in ways that divided some viewers. But the ambition never faltered, and the show's willingness to follow its characters into genuinely uncomfortable territory is what separates it from most comedies on television.

Curb Your Enthusiasm

4.5

2000 · 12 Seasons · HBO · Comedy

Curb Your Enthusiasm spent 24 years proving that a show built almost entirely on improvisation and social discomfort could be one of the funniest things on television. Larry David's fictional version of himself became an iconic comedic creation, a man whose refusal to follow unspoken social rules exposed just how fragile those rules really are. The improvisational format kept the show feeling spontaneous in ways that scripted comedies rarely achieve, and the best episodes are intricately plotted machines where every thread collides in the final minutes. Some later seasons recycled familiar patterns to diminishing returns, and the show's polarizing nature means it was never going to work for everyone. But twelve seasons on HBO, ending on its own terms with a finale that honored everything that came before, is a run that very few comedies can match.

Deadwood

4.5

2004 · 3 Seasons · HBO · Western / Drama

Deadwood takes the mythology of the American frontier and replaces it with mud, profanity, and some of the most extraordinary dialogue ever written for television. Ian McShane's Al Swearengen is an all-time great character brought to life by an all-time great performance, and the ensemble around him matches that standard with startling consistency. The show's density and cancellation after three seasons are legitimate drawbacks that cost it the ending it deserved on its original run. What exists across those 36 episodes is still a remarkable achievement, a show that found poetry in the ugliest corners of American history and never once flinched.

Six Feet Under

4.5

2001 · 5 Seasons · HBO · Drama

A family that runs a funeral home becomes the vehicle for one of television's most honest explorations of mortality, grief, and the messy business of being alive. The performances are uniformly excellent, the writing swings between dark comedy and genuine devastation without ever losing its balance, and the series finale remains the gold standard for how to end a show. Seasons three and four stumble in places, and the pacing will test anyone looking for conventional drama. None of that diminishes the cumulative power of what Alan Ball and his cast built across 63 episodes. Few shows have ever understood their own subject this completely.

Succession

4.5

2018 · 4 Seasons · HBO · Satirical Drama / Black Comedy

Succession spent four seasons dissecting a family of media billionaires tearing each other apart over a company none of them truly deserved, and it did so with a level of craft that put it among the best television of its era. The writing is razor-sharp, the performances are extraordinary across the board, and the show's ability to make you laugh and wince in the same scene is something very few series have pulled off this consistently. Season 3 loses some momentum, and the early episodes ask you to spend time with people you may actively dislike before the show's grip fully tightens. Those are real flaws in an otherwise exceptional piece of work, one that stuck the landing and left a permanent mark on prestige television.

The Rehearsal

4.3

2022 · 2 Seasons · HBO · Docu-Comedy / Reality Experiment

The Rehearsal is unlike anything else on television, a show that uses elaborate simulations and meticulous planning to explore whether human connection can be engineered, and in the process reveals more about loneliness, control, and empathy than most conventional dramas manage. Nathan Fielder built something truly innovative here, blending comedy and philosophy in ways that make you laugh and then make you deeply uncomfortable about having laughed. Legitimate ethical concerns about its treatment of participants are impossible to dismiss, and the show's ambiguity about its own intentions can feel like evasion rather than art. But as a piece of television that expands the boundaries of what the medium can do, it's extraordinary.

Somebody Somewhere

4.3

2022 · 3 Seasons · HBO · Comedy-Drama

Somebody Somewhere is one of the most emotionally honest shows HBO has ever produced, a three-season portrait of grief, friendship, and finding your people in the last place you expected. Bridget Everett anchors the whole thing with a performance that never reaches for sentiment it hasn't earned, and her chemistry with Jeff Hiller as Joel gives the show its beating heart. The deliberate pace and low-stakes storytelling won't work for everyone, and a few plotlines across the run feel undercooked. But for anyone who has ever felt stuck, out of place, or uncertain about where they belong, this show lands with quiet, lasting force.

Hacks

4.3

2021 · 5 Seasons · Max · Comedy-Drama

Hacks built its reputation on two things: Jean Smart's towering performance as Deborah Vance and a central relationship so combustible it could power five seasons of comedy and heartbreak in equal measure. The writing is consistently sharp, the ensemble cast punches well above its weight, and the show handles themes of ageism, ambition, and creative legacy with a confidence that most comedies never attempt. A recurring cycle of conflict between its leads tests patience in later seasons, and the portrayal of stand-up itself leans more toward Hollywood satire than anything resembling the real comedy world. But at its best, Hacks is one of the defining comedies of the 2020s, funny and cutting and unexpectedly moving in ways that earned every one of its Emmys.

Sharp Objects

4.3

2018 · 1 Season · HBO · Thriller / Drama

Sharp Objects is a slow, suffocating masterpiece of Southern Gothic television, with Amy Adams delivering a career-best performance as a journalist returning to her toxic hometown to investigate a murder while confronting her own damaged past. The show prioritizes atmosphere and character psychology over plot mechanics, building dread through accumulation rather than revelation. It demands patience and rewards it with one of the most disturbing final scenes in television history.

The Night Of

4.3

2016 · 1 Season · HBO · Crime Drama

The Night Of is one of HBO's finest limited series, a crime drama that uses a murder case to expose the machinery of the American justice system with devastating clarity. Riz Ahmed delivers a career-defining performance as a young man ground down by a system that presumes guilt, and John Turturro matches him as the unglamorous defense attorney carrying the weight of his client's life. The pacing demands patience, particularly in its middle stretch, but the cumulative payoff is a show that lingers in your mind long after the final episode.

The Last of Us

4.3

2023 · 2 Seasons · HBO · Drama / Post-Apocalyptic

HBO's The Last of Us turned a beloved video game into prestige television that stands on its own, powered by Pedro Pascal and Bella Ramsey's commanding performances and writing that treats its characters like real people navigating an impossible world. Season 1 is a near-flawless run of television that found ways to expand on its source material rather than simply replicate it. Season 2 stumbles with pacing and an incomplete arc across just seven episodes, leaving viewers in a holding pattern until the confirmed third season arrives. The highs here are extraordinary, and the show's willingness to slow down and live inside quiet, devastating moments sets it apart from everything else in the post-apocalyptic space.

The Leftovers

4.3

2014 · 3 Seasons · HBO · Drama / Mystery

The Leftovers is one of the most emotionally powerful television shows ever made, a series that uses an impossible event as a lens for exploring grief, faith, and the desperate human need to make meaning from loss. The first season is heavy and challenging in ways that turn some viewers away. Seasons two and three represent a dramatic creative leap, delivering television so confident and emotionally devastating that it transforms the entire series into something extraordinary. This is a show that asks for patience and rewards it with an experience that stays with you long after the final episode ends.

Veep

4.3

2012 · 7 Seasons · HBO · Comedy

Veep is the most vicious comedy of its generation, a show where every character is terrible and the writing makes you love watching them fail. Julia Louis-Dreyfus delivers a performance for the ages as Selina Meyer, winning six consecutive Emmys for a reason that becomes clear within the first five minutes of any episode. The insult comedy alone would be enough to sustain a lesser show, but Veep layers it on top of razor-sharp political satire and an ensemble cast firing on all cylinders. A slight dip in quality after creator Armando Iannucci's departure and a sixth season that coasts more than it should are the only marks against a show that otherwise operates at a level most comedies can't even conceptualize.

Rome

4.2

2005 · 2 Seasons · HBO · Historical Drama

Rome delivered one of the most lavish and convincing depictions of the ancient world ever produced for television, anchored by a pair of central performances that gave sweeping history a human heartbeat. Its first season is close to flawless historical drama, and the friendship between Pullo and Vorenus ranks among the best character dynamics on screen. The rushed second season and premature cancellation are real wounds that prevent the show from reaching the heights it clearly had in its sights. What survives across 22 episodes is still something special, a show that proved historical television could be both spectacle and substance.

The Penguin

4.1

2024 · 1 Season · HBO · Crime, Drama

The Penguin is a crime drama that happens to take place in Gotham City, and that distinction is what makes it work. Colin Farrell disappears completely into Oswald Cobb, delivering a performance that's equal parts repulsive and magnetic, while Cristin Milioti matches him beat for beat as Sofia Falcone. Lauren LeFranc built a power struggle that owes more to classic gangster stories than to superhero television, and the eight-episode structure keeps the narrative tight and focused. The show's darkness can feel unrelenting, and its Gotham exists in a moral void that some viewers will find exhausting. But as a character study of a desperate, dangerous man clawing his way to the top, it's one of the best things to come out of the DC universe.

Big Little Lies

4.0

2017 · 2 Seasons · HBO · Drama / Thriller

Big Little Lies' first season is a near-perfect blend of suburban satire, domestic thriller, and powerhouse acting that builds to a devastating finale. Reese Witherspoon, Nicole Kidman, and Shailene Woodley lead an ensemble that makes Monterey's privileged anxieties feel genuinely urgent. The second season, added after the first was designed as a complete story, dilutes the impact despite Meryl Streep's formidable addition, making this a show where the recommendation comes with a season-specific asterisk.

The Righteous Gemstones

4.0

2019 · 4 Seasons · HBO · Comedy-Drama, Crime

The Righteous Gemstones is Danny McBride's most ambitious project, a sprawling satire of megachurch culture wrapped in family crime drama and held together by an ensemble that commits fully to the absurdity. John Goodman anchors the chaos as patriarch Eli Gemstone, giving the show an emotional center that it needs more than it realizes, while McBride, Adam Devine, and Edi Patterson build comedy from their characters' toxic entitlement and desperate need for approval. Four seasons is a long run for a show this specific in its targets, and some seasons are sharper than others. But the best episodes combine outrageous comedy with genuine family pathos, and the show's willingness to go dark without losing its sense of fun makes it one of HBO's most entertaining comedies.

Treme

4.0

2010 · 4 Seasons · HBO · Drama

David Simon's love letter to New Orleans is one of the most authentic portrayals of a real American city ever put on television. Across four seasons, Treme follows musicians, chefs, lawyers, and everyday residents fighting to rebuild their culture in the aftermath of Hurricane Katrina, and it does so with a patience and specificity that rewards viewers willing to meet it on its terms. The music is extraordinary, the cast is deep, and the show's refusal to simplify the messy politics of recovery makes it one of the most honest dramas of its era. It's not for everyone, and it never tried to be.

Boardwalk Empire

4.0

2010 · 5 Seasons · HBO · Crime / Drama / Period

Boardwalk Empire brought Prohibition-era Atlantic City to life with production values that still hold up more than a decade later, and Steve Buscemi's Nucky Thompson remains one of HBO's most fascinating antiheroes. The first three seasons deliver some of the best historical crime drama ever made for television, with a supporting cast that turns real gangsters into compelling characters. A weaker fourth season and a rushed final run prevent it from reaching the heights of HBO's very best. This is a show that aimed for the prestige of its network's finest and came close enough to be worth every hour, even when it stumbles.

Game of Thrones

4.0

2011 · 8 Seasons · HBO · Fantasy / Drama

Game of Thrones delivered some of the finest television ever produced and then fumbled its own ending so badly that people are still arguing about it years later. Seasons one through four represent a high-water mark for the medium, full of sharp writing, unforgettable performances, and storytelling that respected its audience enough to be ruthless. The collapse in its final stretch is real, and it stings. But dismissing the entire series because of it means ignoring dozens of hours that changed what television could be. This is a show worth watching for what it got right, as long as you go in knowing the destination won't match the journey.

True Detective

4.0

2014 · 4 Seasons · HBO · Crime / Drama / Mystery

True Detective is a series defined by extremes. Its first season delivered one of the most celebrated runs in television history, powered by two career-best performances and direction that rewrote what a crime drama could look like. The seasons that followed have been uneven, ranging from a genuine misfire to a quiet return to form to a bold reinvention that split its audience down the middle. That inconsistency is real, and it keeps the show from the highest tier of all-time-great television. But the peaks here are extraordinary, the ambition never wavers, and at its best, this anthology proves that the crime genre still has stories worth telling slowly and with purpose.

Oz

3.9

1997 · 6 Seasons · HBO · Drama, Crime

Oz is the show that opened the door for everything HBO became, a raw and uncompromising prison drama that proved premium cable could tell stories network television would never touch. Tom Fontana's series pioneered the kind of serialized, morally complex storytelling that would define the golden age of television, and its best seasons deliver some of the most gripping ensemble drama of the late 1990s. The later seasons lose focus and lean into increasingly outlandish plot developments, and the show's graphic content remains difficult to watch. But Oz's historical importance and the power of its strongest work earn it a place in any serious discussion about the shows that changed television forever.

Carnivale

3.8

2003 · 2 Seasons · HBO · Fantasy, Drama, Mystery

Carnivale is one of the most visually stunning and atmospherically rich shows HBO ever produced, a Depression-era supernatural drama that built its mythology with patience and precision across two mesmerizing seasons. Daniel Knauf's creation features some of the finest production design in television history, with Clancy Brown delivering a performance as the sinister Brother Justin that commands every scene he inhabits. The slow pacing and dense mythology tested viewer patience, and the cancellation after two of a planned six seasons means the story remains permanently unfinished. But what exists is unlike anything else on television, a haunting and beautiful piece of work that rewards viewers willing to meet it on its own terms.

House of the Dragon

3.8

2022 · 2 Seasons · HBO · Fantasy / Drama

House of the Dragon delivers some of the most impressive production values on television and features a cast that elevates every scene they're in. Paddy Considine's King Viserys alone is worth the price of admission, and the show's best moments rival anything its predecessor produced. Season 2's pacing problems and anticlimactic structure hold it back from greatness, though, leaving a show that's often excellent but frustratingly inconsistent. With two more seasons planned, there's still time for the story to find its footing. Right now, it's a gorgeous, well-acted drama that hasn't quite figured out how to pace itself.

The Newsroom

3.6

2012 · 3 Seasons · HBO · Drama, Political

The Newsroom is Aaron Sorkin at his most passionate and most polarizing, a show about how television news should be done that struggles with the gap between its ideals and its execution. Jeff Daniels delivers a commanding lead performance, and the second season's sustained storyline about a fabricated story represents some of Sorkin's tightest work. But the show's tendency to lecture, its uneven treatment of female characters, and the inherent smugness of telling real-world stories with the benefit of hindsight kept it from reaching the heights of Sorkin's earlier work. It's a fascinating, frustrating show that provokes strong reactions in every direction.

True Blood

3.5

2008 · 7 Seasons · HBO · Horror / Fantasy / Drama

A wild, blood-soaked ride through supernatural Louisiana that started as a sharp metaphor for civil rights wrapped in Southern Gothic horror and gradually became the most entertaining mess on premium cable. Alan Ball's adaptation of the Sookie Stackhouse novels delivered unforgettable characters, a fearless approach to sex and violence, and a world so overstuffed with supernatural creatures that the show eventually buckled under their combined weight. The first three seasons are legitimately great television. Everything after that is a test of how much you enjoy chaos.

Euphoria

3.5

2019 · 2 Seasons · HBO · Drama

Euphoria is a show at war with itself, capable of breathtaking television one moment and baffling creative choices the next. Zendaya's performance alone justifies watching, and Season 1 builds a compelling foundation that hooks you fast. But the cracks that appear in Season 2 are real, and they raise legitimate questions about where the show goes from here. It's a series worth watching with the understanding that it might frustrate you as often as it moves you.

Westworld

3.5

2016 · 4 Seasons · HBO · Sci-Fi / Drama

Westworld's first season is one of the most ambitious and intellectually thrilling debut seasons in recent television history, a layered puzzle box that rewards close attention with genuine philosophical depth. Everything after that first season is a steeper and steeper decline, with the show growing more convoluted and less emotionally grounded with each passing year until HBO cancelled it after four seasons. The performances from its stacked cast remain impressive throughout, and the production design never stops being gorgeous. But a show that began by asking profound questions about consciousness and free will ended up losing sight of its own characters in a maze of plot complexity. Westworld is worth watching for that first season alone, but go in knowing that the journey from there gets increasingly difficult to justify.

The Undoing

3.3

2020 · 1 Season · HBO · Thriller / Drama

The Undoing assembles a remarkable cast (Nicole Kidman, Hugh Grant, Donald Sutherland) and a glossy Upper East Side setting for a murder mystery that starts with genuine intrigue and gradually reveals that it doesn't have enough substance beneath its polished surface. Hugh Grant is excellent playing against type as a charming man who might be a monster, and the first three episodes build compelling uncertainty. But the mystery resolves in the most predictable way possible, and the show's obsession with wealth aesthetics undercuts its attempt to be a serious thriller.

Entourage

3.3

2004 · 8 Seasons · HBO · Comedy / Drama

Entourage is a Hollywood fantasy machine powered by wish fulfillment, celebrity cameos, and Jeremy Piven's volcanic performance as super-agent Ari Gold. The first four seasons deliver a breezy, entertaining ride through a version of Los Angeles where everything works out for the main characters, and the fun is infectious when you stop resisting it. Later seasons run out of creative energy, and the show's treatment of women, always a weak point, hasn't aged well at all. It's a time capsule of mid-2000s bro culture that's simultaneously easy to binge and difficult to defend. If you can enjoy it for what it is without expecting it to be more, there's genuine entertainment here.