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CBS

18 BuzzVerdicts, ranked by rating

All CBS BuzzVerdicts

The Twilight Zone

4.7

1959 · 5 Seasons · CBS · Science Fiction, Fantasy, Horror

The Twilight Zone remains the gold standard for anthology television, a show so far ahead of its time that its themes about conformity, prejudice, technology, and human nature feel more relevant now than when they aired over sixty years ago. Rod Serling used the framework of science fiction and fantasy to smuggle in social commentary that network censors would have killed in any other format, and the result is a body of work that has entered the cultural vocabulary permanently. Not every episode lands with the same force, and the fourth season's shift to an hour-long format disrupted the show's tight rhythm. But at its best, The Twilight Zone is television that operates on a level very few shows have ever reached, before or since.

Rod Serling CBS anthology classic TV

I Love Lucy

4.5

1951 · 6 Seasons · CBS · Sitcom / Comedy

I Love Lucy ran for six seasons on CBS and produced 180 episodes that essentially invented the modern sitcom. Lucille Ball's fearless physical comedy, the chemistry between all four leads, and writing clever enough to make a simple domestic formula endlessly entertaining turned the show into a cultural landmark. Some of the marital dynamics and humor reflect 1950s attitudes that modern audiences will notice, and the episode structure rarely deviates from its established pattern. None of that diminishes a show that remains laugh-out-loud funny more than seventy years after it first aired. Few comedies have ever matched its combination of craft, charm, and lasting influence.

comedy sitcom CBS 1950s

M*A*S*H

4.5

1972 · 11 Seasons · CBS · Comedy / Drama

M*A*S*H remains one of television's towering achievements, a comedy set in a Korean War surgical unit that used humor as a survival mechanism while building toward emotional moments that still devastate fifty years later. The show's evolution from broad military comedy to sophisticated dramedy tracked television's own maturation, and its finale remains the most-watched broadcast in American television history. Alan Alda's Hawkeye Pierce is one of the medium's great characters, and the show's anti-war message, delivered through laughter and tears in equal measure, has never been more relevant.

comedy drama war anti-war

Survivor

4.3

2000 · 50 Seasons · CBS · Reality / Competition

Survivor invented the reality competition as we know it and then spent fifty seasons evolving into the deepest strategic game on television, a social laboratory where alliances, blindsides, and jury management matter more than any physical challenge. Jeff Probst's torch-snuffing ceremonies have outlasted every imitator because the core engine, ordinary people voting each other out while pretending they aren't, remains inexhaustible. Fans divide sharply between the old era's character-driven storytelling and the new era's twist-saturated speed chess, and the show's fiftieth season landed as a genuine cultural event. Outwit, outplay, outlast turned out to be a fifty-season instruction manual.

reality TV CBS competition strategy

Person of Interest

4.3

2011 · 5 Seasons · CBS · Sci-Fi / Crime / Thriller

What started as a slick CBS procedural about a billionaire and an ex-operative saving people in New York quietly transformed into one of the most prescient and philosophically ambitious science fiction shows of the decade. Person of Interest's exploration of artificial intelligence, mass surveillance, and the nature of consciousness was years ahead of the cultural conversation, and it delivered that intellectual weight inside a framework that also produced exceptional action sequences and deeply compelling character work. The show's evolution from number-of-the-week to serialized AI epic is one of television's great magic tricks.

sci-fi crime thriller CBS

The Good Wife

4.2

2009 · 7 Seasons · CBS · Drama / Legal

The Good Wife opens on a politician's wife standing beside her husband at his scandal press conference, and spends seven seasons turning that silent woman into the most formidable character in the room. Julianna Margulies's Alicia Florrick anchors the case widely made for this as the last great network drama, a show that ran twenty-two episodes a year while out-writing most of cable, with a supporting bench, Josh Charles's Will, Christine Baranski's Diane, Archie Panjabi's Kalinda, and a rotating repertory of judges and rivals, that remains the envy of the form. A shocking mid-series rupture produced its finest hour. The last two seasons and a slap-based finale spend down some goodwill. The peak years remain untouchable.

legal drama CBS Julianna Margulies 2010s

The Amazing Race

4.1

2001 · 37+ Seasons · CBS · Reality / Competition

The Amazing Race sends eleven teams of two sprinting around the planet with backpacks, clue envelopes, and whatever relationship they brought to the starting line, and after two decades and dozens of seasons it remains reality television's warmest institution. The format's genius is the pressure it applies to partnerships, couples, parents and kids, best friends, navigating airports and language barriers while cameras catch exactly who they are at hour thirty without sleep. It collected the genre's Emmys by the armful for a reason. Repetitive casting archetypes and softened routes in later years are the honest tolls on a franchise still worth boarding.

reality TV CBS competition travel

The Nanny

4.0

1993 · 6 Seasons · CBS · Comedy

The Nanny is the flashy girl from Flushing conquering a Park Avenue mansion one animal-print outfit at a time, and three decades later the formula plays better than ever. Fran Drescher's cosmetics-counter Cinderella brings her voice, her wardrobe, and her mother's leftovers into the household of a stiff British producer, and the ensuing culture collision powered six seasons of Borscht Belt timing, couture-level costume design, and one of sitcom history's defining will-they-won't-theys. Streaming rediscovery turned it into a genuine cross-generational phenomenon. The broad laugh-track machinery and a soggy final season are the tax. The style, in every sense, is the payoff.

sitcom CBS 1990s Fran Drescher

The Mentalist

4.0

2008 · 7 Seasons · CBS · Crime, Drama, Mystery

The Mentalist thrives on Simon Baker's magnetic performance as Patrick Jane, a character whose charm and intelligence make even formulaic cases entertaining to watch. The Red John mystery provides a compelling spine for the first six seasons, though its resolution divided fans who had invested years in the puzzle. The show's strengths are its lead performance and the dynamics Jane creates with everyone around him, and those strengths carry it through seven seasons of consistently enjoyable television.

CBS Bruno Heller Simon Baker crime

Criminal Minds

4.0

2005 · 15 Seasons · CBS · Crime, Drama, Thriller

Criminal Minds carved out a unique space in procedural television by focusing on the psychology of killers rather than the mechanics of solving crimes, and at its peak the show delivered deeply unnerving episodes built on strong ensemble performances and smart behavioral analysis. The quality fluctuated across 15 seasons, with cast changes and an increasing reliance on shock value weakening later years, but the core concept remained compelling throughout. The BAU team became one of television's most beloved ensembles, and the show's best episodes rank among the most effective thrillers network TV has produced.

CBS FBI profiling Jeff Davis

Elementary

3.8

2012 · 7 Seasons · CBS · Crime / Mystery / Drama

Elementary arrived under the shadow of BBC's Sherlock and proved it had its own story to tell, one built less on spectacle and more on the quiet, transformative power of human connection. Jonny Lee Miller's recovering addict Holmes and Lucy Liu's Joan Watson developed a partnership that became one of television's best platonic relationships, growing and deepening across seven seasons without ever taking the romantic shortcut. The procedural cases were hit-or-miss, but the character work at the show's center was consistently excellent, and the series finale delivered one of the most satisfying conclusions in recent television.

crime mystery drama CBS

CSI: Crime Scene Investigation

3.8

2000 · 15 Seasons · CBS · Crime, Drama, Procedural

CSI transformed television crime drama by making forensic science the star of the show, and its early seasons remain some of the most compelling procedural television ever produced. The Grissom era established a tone and visual style that spawned an entire genre of imitators, and while the show's quality declined as lead actors departed and the formula grew repetitive, the first seven or eight seasons deliver a standard of forensic storytelling that few shows have matched since.

CBS forensic science Anthony Zuiker procedural

NCIS

3.8

2003 · 23 Seasons · CBS · Crime, Drama, Procedural

NCIS built itself into one of the most-watched shows in television history not through innovation but through execution, delivering a reliable combination of case-of-the-week crimes, workplace family dynamics, and Mark Harmon's understated charisma as Leroy Jethro Gibbs. The show has never been cutting-edge television, and it was never trying to be. It found a formula that worked, refined it over two decades, and built an audience loyalty that survived multiple cast overhauls and the departure of its lead star.

CBS military Donald Bellisario procedural

The King of Queens

3.7

1998 · 9 Seasons · CBS · Comedy

The King of Queens is a reliable blue-collar sitcom anchored by Kevin James and Leah Remini's combative chemistry and elevated by Jerry Stiller's scene-stealing performance as Arthur Spooner. It never reinvented the form, but its consistent laughs, genuine warmth, and willingness to let its characters be petty and flawed gave it a longevity that flashier comedies couldn't match. The later seasons lose some momentum, and the plots can feel recycled, but the central trio remains entertaining across all nine seasons.

comedy sitcom cbs blue-collar

Everybody Loves Raymond

3.5

1996 · 9 Seasons · CBS · Comedy

Everybody Loves Raymond mined the specific anxieties of family proximity for nine seasons of reliably funny, sometimes painfully accurate domestic comedy. The Barone family dynamics, particularly the mother-in-law conflict and the sibling rivalry, are drawn from observations so specific that they feel universal. Doris Roberts and Peter Boyle as the overbearing parents are the show's secret weapons, elevating familiar family sitcom territory into something sharper. The format is deeply traditional and the humor relies on recycled family dynamics that can feel repetitive across 210 episodes.

comedy sitcom cbs family

How I Met Your Mother

3.5

2005 · 9 Seasons · CBS · Comedy / Romance

How I Met Your Mother built one of the most beloved sitcom friend groups of the 2000s and pioneered a nonlinear storytelling structure that gave a standard sitcom genuine narrative ambition. The first five seasons are consistently funny, emotionally resonant, and structurally inventive, with Neil Patrick Harris's Barney Stinson becoming a cultural phenomenon. The controversial finale and the declining quality of the final seasons cast a shadow that the show's considerable strengths don't entirely escape.

comedy sitcom romance ensemble

The Big Bang Theory

3.3

2007 · 12 Seasons · CBS · Comedy

The Big Bang Theory became the most-watched comedy on television by making nerd culture accessible to mainstream audiences, with Jim Parsons's Sheldon Cooper becoming one of the most recognizable sitcom characters of the 21st century. The show's early seasons balance genuine affection for its characters with sharp comedy, and the ensemble works well together. Later seasons drift toward conventional relationship sitcom territory that contradicts the show's original identity, and the humor's relationship to geek culture shifted from celebration to something closer to mockery over time.

comedy sitcom nerd-culture ensemble