Skip to content
TV Shows BuzzVerdict

Percy Jackson and the Olympians

3.9 / 5
How we rate

2023 · 1 Season · Disney+ · Fantasy / Adventure / Family


Percy Jackson and the Olympians represented a second chance at bringing Rick Riordan’s beloved book series to screen, and this time, the author was in the room. After the widely criticized film adaptations left fans feeling burned, Disney+ gave Riordan creative control over a series that prioritized faithfulness to the source material above all else. The result was a show that felt like it was made by people who genuinely cared about getting it right, which mattered enormously to a fanbase that had been waiting over a decade for exactly this.

The first season adapted The Lightning Thief, following twelve-year-old Percy Jackson as he discovers he’s the son of Poseidon and embarks on a cross-country quest to prevent a war among the Olympian gods. The premise is inherently fun, blending Greek mythology with modern American settings in ways that feel playful without being disrespectful to the source myths. Riordan’s humor and heart translated well to television, even when the adaptation had to make difficult choices about what to keep and what to trim.

The Cast That Carries Olympus

Walker Scobell’s Percy anchored the show with a natural likability that made the character’s struggles feel genuine. He captured Percy’s mix of defiance, vulnerability, and accidental heroism without the forced precociousness that child performances in genre shows sometimes fall into. His chemistry with Leah Sava Jeffries’ Annabeth and Aryan Simhadri’s Grover formed the emotional foundation that the entire series relies on, and all three young actors delivered work that suggests the series is in strong hands for future seasons.

The adult cast brought genuine weight to their mythological roles. Virginia Kull’s Sally Jackson provided the show with its emotional anchor, a mother whose sacrifices gave Percy’s quest personal stakes beyond the cosmic conflict. Lance Reddick’s Zeus (in one of his final performances) and Toby Stephens’ Poseidon carried the divine authority their roles demanded, while Lin-Manuel Miranda’s Hermes brought surprising pathos to what could have been a purely comedic role.

Riordan’s involvement meant that the show’s tone hit the right balance between adventure, humor, and genuine emotional stakes. The books succeeded because they treated young readers with respect, and the show extended that philosophy to its audience. Difficult themes, absent parents, the feeling of not belonging, the burden of expectations, were handled with care rather than glossed over.

Growing Pains in the First Season

The show’s eight-episode structure created pacing challenges that the season never fully resolved. The quest narrative naturally lends itself to a “location of the week” format, but some episodes felt rushed while others dragged. The Medusa encounter and the Ares confrontation worked well as standalone episodes. Other stops on the journey received less development than they needed, leaving some mythological encounters feeling more like checkboxes than fully realized sequences.

Budget limitations were occasionally visible, particularly in the visual effects and the scale of certain mythological settings. Camp Half-Blood felt somewhat smaller than readers had imagined, and some creature effects didn’t quite sell the wonder that the books evoked. These are common growing pains for first seasons of fantasy series, and the production quality was generally sufficient, but there were moments where the ambition of the source material exceeded what the budget could deliver.

The pacing also struggled with balancing exposition and action. Characters sometimes needed to explain mythological concepts that book readers already knew, which slowed the momentum. The show handled this better than many fantasy adaptations, weaving exposition into dialogue rather than resorting to narration, but there were stretches where the informational requirements of world-building competed with storytelling momentum.

Mythology as a Mirror for Growing Up

Percy Jackson’s enduring appeal comes from its central insight: the Greek gods are terrible parents, and their children pay the price. That metaphor for the real-world experience of growing up with absent, flawed, or impossible-to-please parents resonates across generations. The show understood this and built its emotional arcs around it, making the divine family drama feel as relevant as any contemporary family story.

Should You Watch Percy Jackson and the Olympians?

Book fans will find the faithful adaptation they’ve been waiting for, with Riordan’s voice and values intact throughout. Newcomers to the story will enjoy a well-constructed fantasy adventure with a likable cast and clever mythology. The first season has the expected growing pains of a new fantasy series, but the foundation is strong enough to inspire confidence in what’s coming. It’s family viewing that doesn’t talk down to its audience, which is rarer than it should be.

The Verdict on Percy Jackson and the Olympians

Percy Jackson and the Olympians proves that faithfulness to source material and creative involvement from the original author can make all the difference. Walker Scobell and his young co-stars carry the show with charm and sincerity, and Riordan’s direct hand in the adaptation ensures that the spirit of the books survives the transition to screen. Budget and pacing issues keep the first season from perfection, but this is a promising start to a series that has the potential to grow into something truly special.