"A24"

2022 · Daniel Kwan, Daniel Scheinert · 139 min · Sci-Fi / Comedy

Everything Everywhere All at Once shouldn't work. A multiverse action comedy about a laundromat owner doing her taxes has no business being one of the most emotionally devastating films in recent memory, but the Daniels pulled it off with a tiny budget, a fearless cast, and more creative ambition than most studios pack into an entire slate. The pacing stumbles in the final stretch and the sensory overload will lose some viewers along the way. Those are real flaws. They just happen to exist inside a film that found something true about families, about the weight of unlived lives, and about choosing kindness when the universe gives you every reason not to. Seven Academy Awards later, the consensus is pretty clear on where this one landed.

2014 · Alex Garland · 108 min · Sci-Fi / Thriller / Drama

Ex Machina is a lean, precise piece of science fiction that asks big questions and has the nerve not to answer all of them. Alex Garland's directorial debut wrings maximum tension from a minimal setup, and the three lead performances lock into each other like gears in a machine. The small scale means it never quite reaches for grandeur, and the gender politics will land differently depending on who's watching. But as a cerebral thriller about what happens when intelligence outgrows its creator, it's as sharp and unsettling as anything the genre has produced this decade. It gets under your skin and stays there.

2018 · Ari Aster · 127 min · Horror / Drama / Mystery

Hereditary is a deeply unsettling horror film that earns its scares through character and atmosphere rather than cheap tricks. Toni Collette delivers a performance that would be the centerpiece of any prestige drama, and Ari Aster's direction creates a sense of dread so thick it becomes almost physical. The final act's shift into supernatural territory loses some viewers who connected more deeply with the family drama, and the film's pacing demands patience that not all horror audiences are willing to give. But when it works, and for most of its runtime it works extraordinarily well, Hereditary feels like something new in a genre that rarely surprises anymore. It doesn't just scare you. It disturbs you on a level that's hard to shake.

2015 · Robert Eggers · 92 min · Horror, Drama

The Witch is the kind of horror film that gets under your skin without ever rushing. Robert Eggers built something genuinely rare here: a debut feature with a fully realized world, a committed cast, and a willingness to let dread accumulate slowly rather than reach for cheap thrills. It won't satisfy viewers looking for scares on a schedule, but for those who let it work on them, it's haunting in ways that linger for days.

2024 · 2 Seasons · Amazon Prime Video · Animation, Musical, Comedy

Hazbin Hotel is a show bursting with creative ambition and musical talent, brought down by a pacing problem it hasn't fully solved. The character designs are memorable, the songs range from catchy to flat-out impressive, and the premise of a rehabilitation hotel in Hell offers endless comedic and dramatic potential. But cramming major character arcs into single episodes leaves emotional beats feeling like plot checkboxes rather than earned moments. There's a great show in here fighting to get out, and when individual scenes click, the energy is undeniable. It just needs more room to breathe.

2019 · Ari Aster · 148 min · Folk Horror

Midsommar is one of the most visually distinctive horror films in years, built around Florence Pugh's extraordinary performance and Ari Aster's commitment to staging horror in unrelenting daylight. It's an unnerving film that works as both folk horror and grief drama, though its near-2.5-hour runtime tests patience and the pacing can be punishing. For viewers who can meet it on its own terms, it's unforgettable. For those who aren't, it's a very long afternoon.