Animation Movies

2018 · Bob Persichetti, Peter Ramsey, Rodney Rothman · 117 min · Animation / Action

Spider-Man: Into the Spider-Verse took a character audiences thought they knew inside out and found something completely new to say about him. It built a visual language that no animated film had attempted before, grounded it in a coming-of-age story with real emotional weight, and delivered one of the best superhero films in a genre that was already overflowing with them. A handful of side characters deserved more screen time and the villain could have been sharper, but those are footnotes in a film that won the Academy Award for Best Animated Feature and convinced millions of people that animation could redefine what a comic book movie looks like.

2001 · Hayao Miyazaki · 125 min · Animation / Fantasy

Spirited Away is one of those rare films that earns every bit of its reputation. Hayao Miyazaki built a world so vivid and strange that it feels like stepping into someone else's dream, and then he grounded the whole thing in a story about a scared kid learning to be brave. A small number of viewers bounce off the loose narrative structure or find themselves confused by the spirit world's unexplained rules, but the overwhelming majority walk away calling it one of the best animated films ever made. It won the Academy Award for Best Animated Feature for a reason, and twenty-five years later, nothing in animation has quite replicated what it does.

1999 · Brad Bird · 86 min · Animation / Sci-Fi

Brad Bird made a film about a boy and a giant robot that manages to be funnier, smarter, and more emotionally devastating than most live-action dramas twice its length. The animation is gorgeous, the voice cast nails every beat, and the story asks questions about identity and choice that resonate with adults just as powerfully as they do with children. A thin villain and a predictable structure are real flaws, but they barely register against everything the film gets right. This is one of those rare movies that was ignored when it mattered and then slowly, stubbornly proved the world wrong.

2015 · Pete Docter, Ronnie del Carmen · 95 min · Animation / Comedy

Inside Out is Pixar firing on all cylinders, taking a high-concept premise about the emotions inside a child's head and turning it into something that hits harder than most live-action dramas. The world-building is endlessly inventive, the voice cast is perfectly matched to their roles, and the central message about the necessity of sadness lands with a force that catches most viewers off guard. A few criticisms stick, mainly that Riley herself feels underwritten and that the adventure plot follows a familiar path, but those feel like small complaints against a film that won the Oscar for Best Animated Feature and left entire theater audiences in tears. It's one of those rare animated films that earns its emotional payoff honestly.

1994 · Roger Allers, Rob Minkoff · 88 min · Animation / Drama

The Lion King earns its place among the greatest animated films ever made through sheer force of craft. Hans Zimmer's score and the Elton John songs give it a musical foundation that few animated movies have matched. The animation remains stunning, the voice cast is perfectly chosen, and Mufasa's death still hits like a freight train no matter how many times you've seen it. The second half can't quite sustain the brilliance of what comes before, and Simba's journey back to responsibility happens faster than it probably should. None of that keeps this from being the kind of movie that shapes how people think about animation for the rest of their lives.

1995 · John Lasseter · 81 min · Animation / Comedy

Toy Story took a massive creative gamble and won so completely that it reshaped an entire industry overnight. The first fully computer-animated feature film still works thirty years later because Pixar built it on a foundation of sharp writing, perfect voice casting, and a story about friendship and jealousy that connects on a gut level. The animation has aged and the plot is simpler than what the studio would go on to produce, but 81 minutes of this much charm, humor, and heart is hard to argue with. It launched a franchise, launched a studio, and proved that animated films could be just as smart and emotionally honest as anything made for adults.

2008 · Andrew Stanton · 98 min · Animation / Sci-Fi

WALL-E is one of Pixar's finest achievements, a film that communicates more through beeps and gestures than most movies manage with pages of dialogue. Its first act is a near-perfect piece of visual storytelling, and the love story at its center is among the most emotionally affecting romances in animation. The spaceship sequences don't quite match the brilliance of those early Earth scenes, and a few elements land with less nuance than the rest. But the highs here are so high that the dips barely register in the final accounting. It won the Academy Award for Best Animated Feature, and almost two decades later, nothing in animation has told a better love story with fewer words.

2023 · Joaquim Dos Santos, Kemp Powers, Justin K. Thompson · 140 min · Animation / Action

Spider-Man: Across the Spider-Verse expands on its predecessor's visual revolution with animation so ambitious that each universe has its own art style, creating a film that looks like nothing else in cinema. Miles Morales' struggle between destiny and choice drives a narrative that's more emotionally complex than most live-action superhero films, and the action sequences push animation into territory that live-action physically cannot follow. The cliffhanger ending is the film's most divisive choice, leaving a complete emotional arc unresolved for a sequel.

2017 · Lee Unkrich, Adrian Molina · 105 min · Animation / Fantasy / Comedy-Drama

Coco is Pixar operating at something close to full power, using the studio's technical brilliance and emotional precision to tell a story about family, memory, and what it means to truly disappear. The cultural authenticity gives it a specificity that most animated films lack, and the final act delivers the kind of gut-punch that Pixar has built its reputation on. A somewhat predictable villain reveal and a few too many familiar story beats keep it just short of the studio's absolute peak. But when Miguel sings to his great-grandmother in that final scene, none of that matters. You'll be too busy trying to hold it together.

2003 · Andrew Stanton · 100 min · Animation / Adventure / Comedy-Drama

Finding Nemo remains one of Pixar's finest achievements, a film that works as a colorful underwater adventure for kids and a surprisingly affecting meditation on parenthood and letting go for everyone else. Dory alone is worth the price of admission. The episodic structure keeps it from building the kind of sustained momentum that Pixar's very best films manage, and a few of the supporting characters fade into the background. But the emotional core, a terrified father learning that love means giving his kid room to fail, hits just as hard on the twentieth viewing as it did on the first.

2007 · Brad Bird · 111 min · Animation / Comedy

Ratatouille is Pixar operating at peak confidence, telling a story about a rat who wants to cook and somehow making it one of the most thoughtful animated films about creativity ever produced. The animation is stunning, Paris has never looked this good in any medium, and Anton Ego's climactic scene remains one of the most powerful moments in Pixar's entire catalog. Linguini is a bit of a blank slate and the romance never fully lands, but everything surrounding those weak spots is so assured and so smart that they barely register. It won the Academy Award for Best Animated Feature and earned over $620 million worldwide, and close to two decades later, it still holds up beautifully.

2009 · Pete Docter, Bob Peterson · 96 min · Animation / Adventure

A film defined by the best ten minutes Pixar has ever produced, followed by an adventure that never quite reaches the same height. That opening sequence earns its place among the most emotionally powerful moments in animation, and the score alone justifies watching it twice. The adventure half is fun, colorful, and occasionally thrilling, even if it settles into more familiar territory. What saves the whole thing is Carl's emotional arc, which gives the action real stakes and real heart. It's a very good movie that happens to contain a great one inside it.

2004 · Hayao Miyazaki · 119 min · Animation / Fantasy

Howl's Moving Castle is a film that enchants first and explains later, if it explains at all. Miyazaki's animation is breathtaking, Joe Hisaishi's score is among the best in the Ghibli catalog, and Sophie's journey from timid young woman to someone who actually likes herself is worth the price of admission. The plot loses its way in the second half, the war subplot never fully integrates, and first-time viewers will almost certainly leave with questions. These are real flaws, not minor quibbles. But there's a warmth and sincerity to this film that makes its rough edges feel like part of its charm rather than reasons to dismiss it.