Indiana Jones

1981 · Steven Spielberg · 115 min · Action / Adventure

Raiders of the Lost Ark is the kind of movie that people call perfect and then barely get any argument. Steven Spielberg took a love letter to old adventure serials and turned it into something that outclassed everything it was borrowing from. Harrison Ford made Indiana Jones feel completely real, the action sequences still hit harder than most of what comes out today, and John Williams wrote a score that became the sound of adventure itself. The cultural representation has aged poorly, and a few plot logic gaps show on repeat viewings. None of that changes the fact that this is one of the most thrilling, rewatchable, and flat-out fun movies ever put on screen.

1989 · Steven Spielberg · 127 min · Action

Indiana Jones and the Last Crusade is the rare third installment that rivals the original. Adding Sean Connery was a stroke of brilliance, shifting the franchise from pure adventure into something warmer without sacrificing the thrills. The comedy occasionally undercuts the stakes, and it hits many of the same beats as Raiders, but the Ford-Connery dynamic elevates everything around it. As a sendoff for the original trilogy, it's about as perfect as anyone could have asked for.

2024 · Action / Adventure · PC / Steam

Indiana Jones and the Great Circle is the best thing to happen to the license in decades, in any medium, a first-person adventure that understands its hero as a punching archaeologist rather than a gunman. Troy Baker channels the role so completely that players forget the recasting, the Vatican and Giza hubs deliver disguise-and-discovery sandboxes dense with puzzles, and the whip-and-shovel brawling produces slapstick the films would approve. Its combat runs shallow against stealth this generous, enemy AI cooperates a bit too politely, and the final act hurries. As licensed-game resurrections go, this is the reference case.

1984 · Steven Spielberg · 118 min · Action

Indiana Jones and the Temple of Doom is the black sheep of the original trilogy, and that's both its weakness and its strange appeal. Spielberg pushed the franchise into darker territory than anyone expected, delivering set pieces that remain thrilling four decades later while wrapping them in a tone that still makes audiences uneasy. The cultural representation is a genuine problem that can't be handwaved away. Willie Scott tests patience in ways Short Round never does. But the mine cart chase is still one of the great action sequences in cinema, and the film's willingness to go places Raiders wouldn't is more interesting than it gets credit for.