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Identity

26 BuzzVerdicts, ranked by rating across Movies (3), Books (19), TV Shows (4)

All Identity BuzzVerdicts

Song of Solomon

4.5

1977 · Toni Morrison · 337 pages · Literary Fiction

Song of Solomon is Morrison at her most ambitious and her most rewarding. The novel asks its reader to follow Milkman Dead from comfortable numbness to hard-won understanding, through a family history steeped in violence, love, betrayal, and myth. Morrison's prose moves between the lyrical and the brutal with a freedom that lesser writers couldn't sustain, and the novel's fusion of realistic family drama with African American folklore creates something that feels both grounded and mythic. It won the National Book Critics Circle Award and helped secure Morrison's Nobel Prize, and both honors were earned. This is one of the great American novels of the twentieth century.

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Invisible Man

4.5

1952 · Ralph Ellison · 581 pages · Literary Fiction

Invisible Man is one of those rare novels that captured something essential about its moment and then refused to become dated. Ellison's unnamed narrator moves through a series of institutions and ideologies that each promise to see him and each reduce him to a symbol, and the novel's power lies in how thoroughly it dramatizes the experience of being unseen. The prose is extraordinary, ranging from jazz-inflected lyricism to brutal satire to surreal nightmare. It won the National Book Award in 1953, and more than seventy years later, the questions it raises about race, identity, and what it means to exist in a society that won't acknowledge your full humanity have lost none of their urgency.

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Tigana

4.4

1990 · Guy Gavriel Kay · 688 pages · Fantasy

Guy Gavriel Kay wrote a novel about a country whose name was erased from memory by a sorcerer's curse, and used that premise to explore what identity means when history is stolen from you. Tigana is literary fantasy at its finest: gorgeous prose, complex characters, and themes that cut deep enough to hurt. The plot follows a group of rebels trying to restore their homeland's name, but the real story is about memory, loss, and the costs of resistance. The sorcerer Brandin is one of fantasy's great villains precisely because he's not one-dimensional, and his complexity makes the moral questions of the novel genuinely difficult. Dense prose and a slow build demand patience. For readers willing to give it, this is one of the great fantasy novels.

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Martyr!

4.2

2024 · Kaveh Akbar · 352 pages · Fiction / Literary

Martyr! announced poet Kaveh Akbar as a major novelist with one of the most celebrated debuts of its year, the story of Cyrus Shams, a newly sober Iranian-American poet obsessed with making his death mean something, whose research into martyrs leads him to a terminally ill artist spending her final days as a museum installation. It's a novel about addiction, grief, and the hunger for significance that manages to be riotously funny on the way to devastating, with sentences that carry a poet's charge. The dream interludes divide readers and the ending leans on a convergence some find too neat. The voice converts nearly everyone.

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The Likeness

4.0

2008 · Tana French · 416 pages · Mystery

Tana French's second Dublin Murder Squad novel asks what happens when a detective goes undercover as a dead woman who looks exactly like her, and the answer is a slow, absorbing descent into a household where everyone is hiding something. The premise requires a leap of faith, and French rewards that faith with some of the most atmospheric, psychologically rich writing in modern crime fiction.

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Go Tell It on the Mountain

4.0

1953 · James Baldwin · 256 pages · Literary Fiction

Go Tell It on the Mountain is Baldwin's first novel and in many ways his most personal. The story of John Grimes and his family operates simultaneously as a portrait of Black religious life in Harlem, a devastating family drama, and an exploration of how faith, guilt, and desire intersect in a young person trying to understand who he is. Baldwin's prose is both precise and lyrical, and his ability to inhabit multiple perspectives across generations gives the novel a depth that its compact length might not suggest. The church is both prison and refuge in this book, and Baldwin captures that contradiction with a clarity that only someone who lived it could manage.

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Ramy

4.0

2019 · 3 Seasons · Hulu · Comedy-Drama

A first-generation Egyptian-American navigates faith, identity, and his own worst impulses across three seasons that redefined what Muslim representation looks like on American television. The standalone family episodes are some of the best character work in modern comedy, and the supporting cast consistently outshines its deeply flawed lead. Ramy's repetitive cycle of spiritual ambition and personal failure tests patience by the third season, and some portrayals of Arab culture have drawn legitimate criticism from the community the show claims to represent. Those tensions are part of what makes it worth watching. This is a show that takes real swings, lands most of them, and opened a door that American TV badly needed opened.

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Piranesi

4.0

2020 · Susanna Clarke · 272 pages · Fantasy

Susanna Clarke's second novel is a puzzle box disguised as a meditation on wonder. The House, with its infinite halls and tidal floods, is one of the most memorable settings in recent fantasy. Clarke's prose is precise and luminous, and her narrator's gentle curiosity pulls you through a mystery that unfolds with perfect pacing. At 272 pages, it never overstays its welcome. Readers who need action-driven plots or clear answers will find it frustrating. Everyone else will find something that lingers in the imagination like a half-remembered dream.

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The Invisible Life of Addie LaRue

3.9

2020 · V.E. Schwab · 444 pages · Fantasy

V.E. Schwab tells the story of a woman who makes a deal with a dark god and is cursed to be forgotten by everyone she meets. Addie LaRue lives for three hundred years, experiencing history firsthand but unable to leave any mark on it, unable to be remembered by anyone she loves. When she walks into a bookshop and a young man remembers her name, the impossible happens. Schwab's prose is beautiful and measured, Addie is a protagonist of genuine depth, and the central question of what it means to be remembered gives the novel its emotional weight. The alternating timeline structure creates pacing issues, the bookshop romance is sweet but less complex than Addie's relationship with her curse, and the ending divides readers sharply. A gorgeous, melancholy novel that lingers.

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Dark Matter

3.9

2016 · Blake Crouch · 342 pages · Science Fiction

Blake Crouch's 2016 novel about a physics professor kidnapped into a parallel universe where he made different life choices is a relentless, propulsive thriller that uses its multiverse concept to ask real questions about identity and regret. The pacing is extraordinary, the central premise generates genuine philosophical unease, and the final act escalates in a direction that is both logical and terrifying. The prose is strictly functional, the supporting characters exist primarily to serve the plot, and the science operates more as metaphor than mechanism. But as a page-turner that earns its emotional moments through sheer velocity and a concept that lodges in your brain, Dark Matter delivers exactly what it promises.

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The Bone Shard Daughter

3.8

2020 · Andrea Stewart · 425 pages · Fantasy

Andrea Stewart's debut introduces a magic system built on bone shards harvested from citizens' skulls, constructs animated by those shards, and an empire rotting from the center. The central mystery of Lin's identity drives the plot with genuine suspense, and the bone shard magic is creepy, inventive, and thematically rich. Multiple viewpoint characters keep the pace lively, though not all threads are equally compelling. The world-building, set across a sinking archipelago of islands, creates an atmosphere of decay and urgency that suits the story perfectly. Some characters feel underdeveloped and the ending comes in a rush, but the premise is strong enough and the mystery satisfying enough to earn the read.

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I Saw the TV Glow

3.8

2024 · Jane Schoenbrun · 100 min · Horror

I Saw the TV Glow is a film that works on you slowly, building an atmosphere of suburban dread through the story of two teenagers bonded by a mysterious TV show. Jane Schoenbrun's direction creates images that feel like half-remembered nightmares, and the performances from Justice Smith and Brigette Lundy-Paine carry a sadness that deepens with every scene. It's not traditionally scary, and its deliberately paced, elliptical storytelling will lose viewers who want clearer answers. But for those who connect with its wavelength, it delivers an experience that's hard to shake, a horror film about the terror of living a life that doesn't feel like yours.

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Anansi Boys

3.8

2005 · Neil Gaiman · 336 pages · Fantasy

Neil Gaiman trades the epic scope of American Gods for something warmer, funnier, and more personal. Fat Charlie Nancy discovers his recently deceased father was Anansi the spider god, and that he has a brother he never knew about who's everything Charlie isn't: confident, charming, and casually divine. What follows is a comedy about identity, family, and the stories we tell about ourselves. It's lighter than most Gaiman, which delights some readers and disappoints others. The humor lands, the mythology is woven in with real skill, and the ending earns its emotional payoff. It just doesn't hit the heights that Gaiman reaches when he's working in darker territory.

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