Tags / gangster

"gangster"

6 BuzzVerdicts across Movies (4), TV Shows (2)

The Irishman

4.3

2019 · Martin Scorsese · 209 min · Crime / Drama

The Irishman is Martin Scorsese's final word on the gangster film, a three-and-a-half-hour meditation on loyalty, violence, and the emptiness that waits at the end of a life spent serving other men's interests. Robert De Niro's quiet obedience, Al Pacino's theatrical charisma, and Joe Pesci's terrifying stillness form a trio that elevates every scene they share. The de-aging technology distracts at times, and the runtime will turn away viewers who aren't ready for its contemplative pace. But the final hour is among the most devastating work Scorsese has ever done, a portrait of old age and regret that reframes everything that came before it.

Casino

4.2

1995 · Martin Scorsese · 178 min · Crime / Drama

Casino is Martin Scorsese working at full operational scale, a 178-minute chronicle of how greed, ego, and love brought down the mob's last great enterprise. Robert De Niro anchors the film with controlled precision, Joe Pesci brings terrifying volatility, and Sharon Stone delivers career-best work as the woman caught between them. It lives permanently in the shadow of Goodfellas, and the runtime demands real commitment, but the film's meticulous reconstruction of Las Vegas in its mob-run golden age is a feat of filmmaking craft that rewards every minute of patience.

Scarface

4.1

1983 · Brian De Palma · 170 min · Crime / Drama

Scarface is excessive by design, a rise-and-fall gangster epic that pushes every element past the point of comfort and dares you to look away. Al Pacino's Tony Montana is one of the most recognizable characters in film history, a performance so outsized it became a cultural icon independent of the movie itself. The 170-minute runtime tests patience, the dialogue stumbles in places, and the moral framework isn't subtle. But the film's commitment to its own extremes gives it a hypnotic quality that more restrained crime dramas can't match, and its influence on everything from hip-hop to television crime storytelling is undeniable.

Boardwalk Empire

4.0

2010 · 5 Seasons · HBO · Crime / Drama / Period

Boardwalk Empire brought Prohibition-era Atlantic City to life with production values that still hold up more than a decade later, and Steve Buscemi's Nucky Thompson remains one of HBO's most fascinating antiheroes. The first three seasons deliver some of the best historical crime drama ever made for television, with a supporting cast that turns real gangsters into compelling characters. A weaker fourth season and a rushed final run prevent it from reaching the heights of HBO's very best. This is a show that aimed for the prestige of its network's finest and came close enough to be worth every hour, even when it stumbles.

Peaky Blinders

4.0

2013 · 6 Seasons · BBC · Crime / Drama

Peaky Blinders delivers an intoxicating blend of period crime drama and modern swagger, anchored by Cillian Murphy's magnetic performance as Tommy Shelby. The first three seasons build a world that's impossible to look away from, full of sharp writing, striking visuals, and a soundtrack that shouldn't work in a 1920s setting but absolutely does. Later seasons lose focus and lean too heavily on style over substance, with the final stretch testing the patience of even devoted fans. It remains a show worth watching for its highs, which are considerable, even if it doesn't sustain that level across its full run.

The Godfather Part III

3.5

1990 · Francis Ford Coppola · 162 min · Crime / Drama

The Godfather Part III carries the impossible burden of following two of the greatest films ever made, and it buckles under that weight in places but never breaks entirely. Al Pacino's aging Michael Corleone is a compelling portrait of a man trying to buy redemption with the same ruthlessness that damned him, and Andy Garcia injects fierce energy as the next generation. The Vatican financial plot is muddled, some casting choices create real problems, and the film never achieves the controlled power of its predecessors. But the final twenty minutes, built around an opera sequence of devastating parallel action, deliver an emotional blow that almost redeems the uneven two hours before it.