Daniel Day-Lewis

2017 · Paul Thomas Anderson · 130 min · Drama / Romance

Phantom Thread is an exquisitely crafted film about a relationship between two people who should be terrible for each other and somehow aren't. Daniel Day-Lewis's final screen performance is as precise as one of Reynolds Woodcock's dresses, Vicky Krieps matches him with a quiet ferocity, and Paul Thomas Anderson directs the whole thing as a love story told through power dynamics, poisoned mushrooms, and the particular cruelty of creative genius. It's funny, strange, and deeply romantic in ways that take time to reveal themselves.

1993 · Martin Scorsese · 139 min · Drama / Romance / Historical

The Age of Innocence is Martin Scorsese directing with a scalpel instead of a sledgehammer, and the result is one of the most precisely crafted period dramas in American cinema. Daniel Day-Lewis, Michelle Pfeiffer, and Winona Ryder inhabit a world of suffocating social ritual where the most devastating acts of violence are delivered through dinner invitations and seating arrangements. The pacing will test anyone expecting Scorsese's usual kinetic energy, and the emotional restraint of the story can feel like watching passion slowly suffocate under good manners. For those willing to meet it on its own terms, the film reveals itself as one of Scorsese's most emotionally devastating works.

2012 · Steven Spielberg · 150 min · Biography / Drama / History

Lincoln succeeds because Daniel Day-Lewis doesn't play a monument. He plays a tired, funny, cunning politician who happened to change the course of American history during the worst month of his life. Spielberg surrounds him with an ensemble that brings the messy realities of democracy to vivid life, and Tony Kushner's screenplay finds genuine drama in parliamentary procedure. It's a film about how the sausage gets made, and it makes that process as gripping as any battlefield.

2002 · Martin Scorsese · 167 min · Crime / Drama / Historical

Gangs of New York is a film built around one of the greatest screen villains ever committed to celluloid. Daniel Day-Lewis's Bill the Butcher is a towering creation that dominates every frame he occupies and exposes the limitations of everything around him. The historical recreation of Five Points Manhattan is staggering in its ambition and detail, but Leonardo DiCaprio's revenge plot can't support the weight Scorsese places on it, and the film's final act struggles to balance personal drama with historical spectacle. It's a flawed, fascinating epic that reaches higher than it can consistently grasp.