Alien Franchise

2025 · 1 Season · FX on Hulu · Sci-Fi Horror

Alien: Earth brings the xenomorph to our planet with Noah Hawley's trademark atmospheric storytelling and a fresh perspective that honors the franchise's horror roots. The show builds dread patiently and delivers genuine scares, though its pacing occasionally tests the patience of viewers expecting the relentless tension of the original films. For fans who wanted the franchise to return to slow-burn terror over action spectacle, this is the closest thing to Ridley Scott's original vision since 1979.

2024 · Fede Álvarez · 119 min · Sci-Fi / Horror

Alien: Romulus is the franchise getting back to doing what it does best: trapping people in a confined space with something that wants to kill them, then ratcheting the tension until it becomes almost unbearable. Fede Álvarez proved he understands the mechanics of this series, and the practical creature work is some of the best the franchise has produced in decades. The heavy reliance on callbacks and a divisive third-act creature keep it from standing fully on its own, and several characters needed more development to make their fates resonate. But as a return to the horror roots that defined the original film, this delivers the goods.

2012 · Ridley Scott · 124 min · Sci-Fi / Horror

Prometheus is a film at war with itself. Ridley Scott's return to the universe he created in 1979 delivered some of the most stunning science fiction filmmaking of its decade, anchored by Michael Fassbender's unsettling performance as the android David. The ambition is real, the visuals are extraordinary, and the questions it raises about human origins are deeply compelling. But the script undermines that ambition at nearly every turn with characters who behave like they've never encountered basic danger before. It's a frustrating film precisely because the gap between what it reaches for and what it achieves is so visible.

1992 · David Fincher · 114 min · Sci-Fi / Horror

Alien 3 is the most divisive entry in a franchise built on strong opinions. David Fincher brought a bleak, gothic atmosphere that set it apart from everything that came before, and the prison setting created a vulnerability that neither the original nor its sequel attempted. Sigourney Weaver's performance as a Ripley facing her own mortality gives the film genuine weight, and Charles S. Dutton's Dillon is one of the franchise's most underrated characters. But the decision to kill beloved characters offscreen, inconsistent visual effects, and a troubled production that shows in the final cut keep it from fully realizing its ambitions. The Assembly Cut improves the experience meaningfully, though it can't fix every problem the film carries.